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Hyundai Ioniq 5

Charles Justice in front of his new Hyundai Ioniq 5 in Lucid blue pearl paint.

Congratulations, Charles, on buying your first electric vehicle (EV), a Hyundai Ioniq 5. I was impressed when you told me that you only used CA$ 16/ US$ 11.50/ NOK 125, for electrical power to travel the 720 km (450 miles) between Prince George and Prince Rupert. That is a little over 2 cents CAD a kilometer, a little over 2.5 cents USD a mile.

A suitable 2022 EV in a developed country probably means that it is built on a dedicated EV platform, has a raised seating position typical of SUVs, receives a five-star (Euro) NCAP safety rating, holds five people comfortably and with enough space for luggage/ shopping in both a frunk and trunk, offers a minimum 400 km of range with sufficient power, torque and handling for local conditions, which in British Columbia and Norway implies mountain roads. Since people are all different, that means that everyone will have different perspectives on what constitutes important vehicle characteristics.

I was a little surprised at your choice of a compact crossover SUV, because I always think of you as a van/ multi-purpose vehicle (MPV) type of person, needing an EV replacement for your previously owned Mercury Villager. I find it very similar to the Citroën Evasion, that I once owned. Unfortunately, choice is often an illusion, because there is a need to compromise. There are not that many electric powered vans around. Those that do exist offer low range. On the horizon, one exception is the Volkswagen ID. Buzz. It has just started populating European streets (or at least VW Dealer showrooms), but it will not be coming to North America before 2024, in a slightly longer version.

With 155 mm (6.1″) of ground clearance, the Ioniq 5 is a good choice for a winter car, especially for driving on unplowed roads with snow. However, it is definitely not for offroading.

The Ioniq 5 is built on a dedicated electric platform, the Hyundai Electric – Global Modular Platform (E-GMP). This is important. It allows a long wheelbase, in relation to length. The floor is flat. This provides increased passenger comfort for five people, as well as improved ride characteristics. There is a generous amount of cargo space, initially 531 litres (18.75 cubic feet), but expanding to 1 600 litres (56.5 cubic feet), with the rear seats folded down. There is a frunk for storage at the front of the vehicle.

The battery can recharge 86 km (53 miles) of range in 5 minutes, or from 10 to 80% in 18 minutes, or 375 km (230 miles) in half an hour with its 800 V charging capabilities using a 350 kW charger. With electric motors providing torque at low speeds, EVs typically accelerate quickly. Regenerative braking produces electricity when braking, rather than wearing out brake pads.

Hyundai Ioniq 5 interior Photo: Hyundai Canada.

The dashboard houses two 300 mm (12″) screens, an instrument cluster display in front of the driver, and an infotainment system between the two front-seats.

Vehicle to load (V2L) function = bidirectional charging can provide up to 3.6 kW of power through a port mounted under the rear seats or from an outside port. This is important in areas with electrical power outages, because it allows refrigerators, freezers, hot water heaters, stoves and space heaters to continue operation. If necessary, and if the outage is local enough, the vehicle can be driven to a fast charger, then return to power the residence. If one lives in an area with electrical price changes throughout the day, V2L will allow a car to provide power to the household during periods when grid electricity is expensive, then recharge itself, when it is cheap.

Who buys a new EV? To find out, I tried to look up some basic demographic information. It didn’t provide all of the insights I wanted. One comment on age: the age of a new car or truck buyer has grown older over the past decade. It is now around 53 years old. They also note that among new vehicles buyers, the 55+ age group has a 15 percentage point increase since 2000. For most vehicle types, the gender difference favoured men, about 55% men/ 45% women. There were two exceptions. First, 14% of light-truck purchasers were women, and 86% were men. Second, 25 % of electric vehicle (EV) purchasers were women, and 75% were men. My Norwegian experience tells a very different story. Most of the EV owners I know are women. They purchase practical vehicles, notably Kia Soul EVs. Men tend to be more performance oriented vehicle owners, buying Audi, Polestar and Tesla EVs.

Hyundai Ioniq 5 specifications

Wheelbase3 000 mm
Length4 635 mm
Width1 890 mm
Height1 605 mm
Ground clearance155 mm
Mass (small – large)1830-1950 RWD/ 1905 – 2115 AWD kg
Battery capacity58 – 73 (Europe) – 77 (North America) kWh
Power125 – 168 (RWD)/ 173 – 239 (AWD North America) kW
Torque350 (RWD)/ 605 (AWD) Nm
Range384 — 488 (RWD)/ 319 – 412 (AWD) km
Top speed185 km/h
Accelleration (0 – 100 km/h)8.5 (small RWD) – 5.1 (large AWD) s
Specifications are provided for the two North American battery packs, but not the long-range European battery pack, with the exception of its battery capacity. Non-metric values can be found in the Wikipedia article on the Hyundai Ioniq 5.

EVs keep checking more boxes, except one – price! Some of these characteristics are: appearance, comfort, connectivity, performance, safety and size, in alphabetical order.

Prices. An article, in the New York Times states that many companies have increased prices because they have had increased costs, the past two years. This has improved their profitability, but it has also pressed inflation to higher levels. This applies to the automotive market, especially. Dealers have paid more for the vehicles they have purchased, but they take even more money for the cars they sell. They do this because they know that there are very many who want to buy cars, but there aren’t enough available, in part because of supply chain difficulties.

Historic internal combustion engine (ICE) vehicle price data, and consumer price index (CPI) data, are insufficient to calculate a reasonable EV base price. Instead, one is forced to look at the prices of real world vehicles, discover/ compute/ invent shadow prices for the the most important features. After that, one is left with the task of picking out the most suitable vehicle, and accepting that its price is going to be higher than one originally hoped.

Part of EV pricing challenge has to do with batteries. Batteries make up a large proportion of an EV price. Some projections point to a downward trend in Li-ion battery components, then some unexpected expansion in demand results in an increase in prices. Because battery prices were so high, many of the first EVs produced had inadequate range, which increased anxiety. Larger batteries increase weight and vehicle price. In 2022, 300 km is often regarded as inadequate, 400 km as acceptable, and 500 km as ideal. In Europe, range is determined using the Worldwide harmonized Light vehicles Test Procedure (WLTP). Wikipedia has an article about it.

Theodore Paul Wright (1895 – 1970) wrote a paper Factors affecting the costs of airplanes (1936) about the the learning curve effect = Wright’s Law, that has predicted the decline in production costs, for many technological products. Lithium-ion (Li-ion) battery cell costs fall by 28% for every cumulative doubling of units produced. The battery pack is the most expensive part of an electric vehicle. Consequently, the prices of EVs fall with declining battery costs. One prophecy was that by 2023, the cost of Li-ion batteries would fall to around US$ 100/ kWh. This would mean that EVs would be as cheap to make as ICE vehicles. By 2021, increased demand for EVs increased the demand for battery materials, which resulted in increased battery costs. Tea-leaf readers, crystal-ball gazers as well as others with insights, real or imaginary, are invited to provide more details about upcoming battery (and EV) price developments.

Appearance. The Ioniq 5 originated as the Hyundai 45 EV Concept, with 45 referring both to a common angle emphasized on the vehicle, as well as the 45th anniversary of the Hyundai Pony, manufactured from 1975 to 1985, that was South Korea’s first mass produced and exported vehicle. The concept’s sensuous sportiness design language, emphasized kinetic cube front and rear lights. Today, they are referred to as Parametric Pixel design, several sources inform that it is not just apparent in headlights and tail lights, but also in its wheels.

Comfort. Much of the well-being afforded by a vehicle relates to the volume of space available to passengers, in relation to their size. It should be proportional, neither too large nor too little. The Ioniq 5 offers more than adequate space, especially for people sitting in its front seats. People, big or small, will be able to sit comfortably. The front seats offer automatic two-zone air conditioning and massaging capability. One can wonder if these features make driving/ riding less stressful? The rear seats are more confining, especially if that space has to be divided between three people. All of the seats are suitably supportive. What many people appreciate most inside an EV, is quietness, especially noise suppression, at higher speeds. In its brochure, Hyundai inappropriately lists features under comfort that belong elsewhere: bidirectional charging, charging of phones and other devices, net-based services.

Connectivity. Hyundai has a greater focus on wireless interaction than comfort. Everything from loud-speakers to automatic emergency calls (911/ 112) is treated as a connectivity issue/ feature. It appears that it is not enough to have a display. The ignoble art of quantity and size comparisons asserts itself. Prioritizing silence over sound, I am not the right person to comment on the tainment half of a digital infotainment display. However, I would place the info half, under safety.

Performance. Some people prioritize performance characteristics. They typically want a vehicle with fast acceleration and a high top speed. In Scandinavia, the Moose test is the ultimate performance tool. The term was first used in 1997 by journalists at Teknikens Varld, a Swedish magazine. This evasive maneuver test was originally used to assess tire adhesion. Later, it tested vehicle stability during an extreme maneuver. Another priority here is braking. It should happen quickly. There should be some form of dynamic braking available, coupled with FCA, which is mentioned under safety.

Safety. Older drivers should prioritize safety. This was emphasized at a driving course for people over 65 that Trish and I attended some years ago. It was pointed out that the same injury that barely affects a twenty year old, could potentially kill someone who was seventy. In addition, older people often have some cognitive issues.

Modern vehicles have a large number of features to help older drivers cope with traffic. These are often coded. Here are some of them that are provided as standard equipment on European versions of the Ioniq 5: DAW = Driver attention warning; NSCC = Navigation based smart cruise control; PA = Parking assist; PDW = Parking distance warning; LFA = Lane follow assist; LKA = Lane keep assist; LDW = Lane departure warning; LVDA = Leading vehicle departure alert; FCA-JT Forward collision avoidance (junction traffic); FCA = Forward collision avoidance; PCA = Reverse parking collision avoidance assist; RSPA = Remote smart parking assist; BCA = Blind spot collision avoidance; RCCA = Rear cross traffic collision avoidance assist; HDA II = Highway driving assistance with level 2 autonomy; SVM = Suround view monitoring; BVM = Blind spot video monitoring; SEA = Safe exit assist; ROA = Rear occupant alert; ISLA = Intelligent speed limit assistance.

Some of the other safety issues have to do with residential charging. Sandy Munro, for example, wondered if many of the fires blamed on EV batteries, might be the fault of inappropriately designed chargers.

Size. The most common way people define their vehicle needs is in terms of size. The North American neighbourhood electric vehicle, with speed and weight restrictions, is replaced by a quadracycle in Europe, where somewhat different speed and/ or weight restrictions may apply. There is also a distinction between passenger cars and trucks. In Europe passenger cars are divided into segments A – F: A = mini, B = small, C = medium, D = large, E = executive, F = luxury. In addition there are: J = sport utility, M = multi purpose and S = sport. It is arranged by consensus, rather than with fixed definitions. In North America, passenger car classes are defined on the basis of measured interior volume. Small pickup trucks, standard pickup trucks, vans, minivans and SUVs are defined on the basis of gross vehicle weight ratings (GVWR). The Ioniq 5, as a passenger vehicle, is defined by its interior volume. Since it is a compact crossover SUV, it must meet the interior volume index of 100–109 cu ft (2.8–3.1 m3).

Just an hour before this post is to be published, I am checking the usual EV sources, and discover that the Ioniq 5 has been selected as Motortrend’s SUV of the year, 2023.

Motortrend writes: The SUV of the Year winner stood out from the formidable competition thanks to its stellar looks, wonderful driving capabilities, roomy and comfortable cabin, efficient battery, and amazing value. The Hyundai IONIQ 5 is a game-changing rethink on what an SUV can be and is the first EV to win MotorTrend’s SUV of the Year award.

Notes

Yes, I hope to convert everyone to metric system enthusiasts, but I also want to encourage electric vehicles. So, today only, I am adding some non-metric values in the main text. Non-metric units for almost all metric values stated here, can be found in the Wikipedia article about the Hyundai Ioniq 5.

In discussing this topic with my son, Alasdair, he reminded me that the purpose of a automotive sales person is not so much to encourage people to buy a particular product, but to reassure them that they have made the correct choice, once the contract is signed. Buyers’ regret is real!

Reflection

Yes, Charles, despite attempts to look forward, both you and I are influenced by our childhood experiences. They have shaped our preferences later in life. Twenty years ago there were still remnants of a population that refused to use seatbelts: It is better to be thrown clear in an accident, than to be crushed to death! They no longer exist. Today, there is a younger generation of drivers that use hand-held devices while driving. It is difficult to look objectively at one’s own generation. I encourage younger people to comment on the more irritating driving traits of you, I and others born in the 1940s, 1950s and 1960s.

I remember being impressed by four vehicles on our lane in New Westminster: a Volkswagen bus, two Nash Metropolitans, and a Hillman Husky, all from the late 1950s/ early 1960s. There were also vehicles that should have impressed me, but didn’t, such as an Edsel hardtop (convertible ?). Away from the lane, I also remember being impressed with a Nash Rambler, driven by my widowed aunt Millie’s friend. I suspect that you, too, Charles were influenced by your father’s Rambler. For me, nothing surpassed the spaciousness of another aunt’s car, Molly’s 1939 Plymouth 4-door sedan. She owned a small farm in Okanagan Mission, outside Kelowna, British Columbia. A few farm fields away, I began my driving career with a 1953 Chevrolet Advanced Design 3100 pickup, probably at the age of 14.

Sometimes I wonder why I have never owned an American car. I suspect Molly’s Plymouth was so much more comfortable to sit in than those lower, sleeker cars from the late 1950s/ early 1960s. That had a significant impact on my perceptions. Yet, sometimes, I allow myself to appreciate the lowlife, usually various iterations of a Studebaker Hawk. Other American vehicles that have appealed include the International Harvester Metro step vans, and their Scout and Travelall SUVs, are all on my top ten list of vintage vehicles. Somehow, I find it difficult to be enthusiastic about mainstream brands, like Ford or GM.

While many people in our generation acquire relics from the past, the beginning of the end of my ICE era, dates to 2012, with my purchase of one last ICE vehicle. Already then, I knew it would be the last one. The problem was that EVs were just a little too expensive, and batteries were just a little too small. Yet, the writing was on the wall: Future vehicles would be electric.

In fifty years time (2072), your descendant who inherits this car, will inherit a gem: one of the first vehicles built on a dedicated EV platform, with mass market appeal, comfort, performance, safety features and range. Congratulations, Charles, on your purchase of an impressive car, a Hyundai Ioniq 5!

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Cockades & Roundels

The National Cockade of India = The National Cockade of Ireland. They are identical! Sharing a national cockade is a common occurrence. Source: Tibetan Pop Rocks, Wikimedia.

A cockade is a knot of ribbons, or other circular, sometimes oval, symbol of distinctive colours which is usually worn on a hat, cap or lapel. In addition, women traditionally had the option of wearing one in their hair. The noun, cockade, dates from 1650 – 60; It comes from French cocarde = a knot of ribbons, (from its resemblance to a cock’s crest), from Middle French cocquard = boastful, silly, cocky = the boastful behavior of a rooster, from coq = a rooster, and especially to the bird’s crête (Fr.) = comb (Eng.) = fleshy growth/ crest on the top of its head. In modern français québécois, the term cocarde is an identification badge.

Starting in the 15th century, these were originally derived from identity ribbons used by medieval knights. By the 18th and 19th centuries, these became common, and showed: the allegiance of their wearers to a political faction, their social status or rank or (by wearing colours of a particular livery) their subordinate status. Because of the confusing multiplicity of military uniforms, cockades became a de facto and cheap mechanism to show a person’s (national) identity. Colours are listed from the centre to the outside ring.

Colours

In pre-revolutionary France, the Bourbons used white cockades. Their Jabobite supporters in Scotland, also used white. Meanwhile, in the United Kingdom, the Hanoverians had taken over the monarchy, starting with George I, in 1714. They used black cockades. Periodically, after the French revolution, and since 1830, French cockades have been blue – white – red. The Hanoverian dynasty ended in the UK at the death of Victoria in 1901. Her eldest son Edward VII, was a member of the House of Saxe-Coburg and Gotha, which later changed its name to Windsor. At some time after the adoption of the Union Jack/ Union Flag in 1801, British cockades became red – white – blue, the opposite of the French. Since its independence in 1922, Ireland has used cockades of green – white – orange. India has used the same colours, in the same order, although India refers to its green as India green and its orange as saffron.

Until the Russian revolution in 1917, Russia has used cockades of black – orange – black – orange – white, featured in the Order of Saint George, originally from 1769, but with the Russian Federation revival dating from 2000. Modern Russian cockade colours are black – orange – black – orange. Ukraine uses light blue – yellow.

American Cockades

During the American revolutionary war (1775 – 1783), the Continental Army was the army of the thirteen American colonies. They had no uniforms. George Washington (1732 – 1799) attempted to use cockades to differentiate ranks: red/ pink = field officer; yellow/ buff = captain; green = subaltern. Several sources note that there was a substantial use of black cockades, identical to those used by the British. When France allied itself with the Americans, the Bourbon white cockades were added to create a black and white cockade. The French reciprocated, adding black cockades. This is generally referred to as the union cockade.

Yet, the term union can be confusing in an American context. During the American civil war (1861 – 1865) there were both confederate and union cockades. There was no single standardized design. Confederate/ southern versions tended to be one color (often red or blue). Union/ northern cockades often incorporated red, white and blue. Some designs were embellished with buttons depicting palmettos = fan-leaved palm trees, eagles, Union president Abraham Lincoln (1809 – 1865), Confederacy president Jefferson Davis (1808 – 1889). In Texas, they often incorporated a metal star.

Nordic Cockades

In Sweden, the military used yellow cockades, while civilians used blue and yellow. This contrasts with Denmark, that used red – white – red. Norway used red – white – blue – white; Iceland: blue – white – red – white – blue; Finland: white – blue – white.

Roundels

France began the first Aéronautique Militaire = Air Force, in 1909. Roundels were mandated on military planes, starting in 1912. They were based on the blue – white – red of the French national cockade. In addition, aircraft rudders were painted the same colours in vertical stripes, with the blue forwardmost. During World War I, other countries adopted national cockades and used these as roundels on their military aircraft.

Some of the more interesting roundels include Australia, Canada and New Zealand, with the centre red of the Royal Air Force replaced with a kangaroo (Family Macropodidae), sugar maple leaf (Acer saccharum) and kiwi (Apteryx sp.), respectively. In the Nordic countries, Sweden has three yellow crowns displayed on light blue background, with an outer ring of yellow.

Swedish Air Force Roundel

Corporate Roundels

Corporations/ organizations that have made use of roundels in their branding, include: Transport for London, and the London Underground specifically. It was trademarked for the London General Omnibus Company, in 1905, but was first used on the Underground in 1908.

London Underground Roundel.

Use of the BMW roundel required both the circumvention of laws, as well as the creation of myths, to become successful. The Wikipedia article section on BMW’s logo and its slogan – The Ultimate Driving Machine – tells the story.

The Tide trademark is an orange and yellow roundel, sometimes referred to as a bull’s eye. It was designed by architect and industrial designer Donald Deskey (1894 – 1989).

The Tide Roundel, dating from 1946.

The London rock band, The Who, formed in 1964, used Royal Air Force (RAF) roundels on stage. Later, this roundel symbolized British Mod culture, with its emphasis on fashion and Italian scooters.

Sabaton

This weblog post was inspired by the Sabaton music video, The Uprising, about the Warsaw Uprising = powstanie warszawskie (Polish) in the summer of 1944. It was the single largest military effort undertaken by any European resistance movement during World War II. It unsuccessfully attempted to liberate Warsaw from German occupation. It involved 63 days of fighting in the summer of 1944, and it was led by the Polish resistance Home Army = Armia Krajowa (Polish). This operation extracted a massive human cost. It is estimated that about 16 000 members of the Polish resistance were killed and about 6 000 badly wounded. In addition, between 150 000 and 200 000 Polish civilians died, mostly from mass executions. This is mentioned in part because the Allies refused to offer military assistance to Poland at this decisive moment in history. In contrast, Poland is offering massive support to Ukraine in the current war, and illegal occupation of Ukraine territory by Russia.

In the Sabaton video there are glimpses of the Polish two-finger salute, as well as of improvised red and white replacement of the cockade, shown on Polish helmets and other military headgear. These are similar to the blue and/ or yellow marking used on Ukrainian military headgear in 2022.

The rogatywka, sometimes translated as peaked cap, is an asymmetrical, peaked, four-pointed cap used by various Polish military formations. Some people see it as forming the basis for the Polish roundel, which is anything but round. Warszawo Walcz = Warsaw fight!

Polish Air Force Roundel.

Notes:

Sabaton = part of a knight’s body armor that covers the foot. The Swedish power metal band Sabaton is noted for their albums about wars and battles. It originated in 1999 in Falun, about 600 km, and 8 hours driving from Cliff Cottage (depending on the specific route). It involves an eastward journey on the E14, across the Norwegian – Swedish border, and then onwards, almost to Östersund, followed by a southern leg on highway 45 to Falun. Falun’s Great Copper Mountain area has been designated a World Heritage Site since 2002.

If anyone should wonder why I take an interest in Warsaw, and Poland more generally, it is because it keeps asserting itself into my life. Historically there is: Nicolaus Copernicus (1473 – 1543), Frédéric Chopin (1810 – 1849), Józef Teodor Konrad Korzeniowski (1857 – 1924), Marie Salomea Skłodowska–Curie (1867 – 1934), Grażyna Bacewicz (1909 – 1969), Henryk Górecki (1933 – 2010), Wayne Gretski (1961 – ), Olga Tokarczuk (1962 – ), Kinga Baranowska (1975 – ) and Agata Zubel (1978 – ). Alasdair spent six months living in Warsaw. One of our closest neighbours is from Poland. One of our friends specializes in relationships with Polish women. My only sister-in-law has Polish origins.

I have previously written about redneck(erchiefs), that have a similar function to cockades.

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Therevox

The Therevox ET-4.3 Synthesizer, Canadian made in Techumseh, Ontario. Photo: Therevox.

Inspired by the Ondes Martenot (1928) and the Electro-Theremin (1950), the Therevox ET-4 is controlled by moving a finger along a reference keyboard shaped to provide tactile feedback. Dual pressure sensitive intensity keys control the amplitude of the ET-4‘s two independent analogue oscillators. Combined with a low-pass filter, white noise generator and internal spring reverb the ET-4 is an expressive and versatile performance instrument.

Therevox began building custom instruments in 2004. Their first product was the ET-1, a modern version of an Electro-Theremin. The Electro-Theremin was designed by Paul Tanner (1917 – 2013). It was constructed by Bob Whitsell (1930 – 2009). Tanner then played the instrument. It can be heard on the theme song of My Favorite Martian (1963 – 1966) and The Beach Boys’ Good Vibrations and I just wasn’t made for these times (both, 1966) .

In 2008 a limited edition of twelve updated ET-3‘s went to musicians and studios in North America and Europe.

In 2012 they released another continuous pitch analog instrument inspired by the Ondes Martenot and early analog synthesizers. This ET-4 is the current model.

  • The ET-4.1 is the standard model,
  • The ET-4.2 adds an effects loop and some other features
  • The ET-4.3 adds MIDI over USB output.

Every ET-4 is individually hand crafted in Tecumseh, Ontario, Canada, “using high quality components and select North American Walnut. With less than 20 made a year the Therevox ET4 is an exclusive instrument. All soldering, calibrating and assembling is also done in the Tecumseh workshop.”

The ET-4.1 is the standard model, the ET-4.2 adds an effects loop and other features and the ET-4.3 also adds MIDI over USB output.

The instruments are designed to be versatile and durable. It has been featured on several albums and film soundtracks. Composer Adam Taylor (1942 – ) used an ET-4.1 to compose the theme and incidental music for The Handmaid’s Tale.

Connections:

The Handmaid’s Tale (1985), written by Margret Atwood (1939 – ), is a futuristic dystopian novel set in a near-future patriarchal, totalitarian, theonomic Republic of Gilead, located somewhere in New England, where the federal United States government has been replaced. Some of the themes taken up in the novel are the subjugated of women and their loss of agency and individuality, the suppression of their reproductive rights, more specifically the subjection of fertile women to child-bearing slavery. More positively, the novel explores the various means by which women resist, attempting to gain individuality and independence.

The television series, based on the novel, consists of six series, developed from 2017. The last season will be shown in 2023. These were made in Toronto, and other locations in Ontario.

Atwood’s partner, from 1973 until his death, was Graham Gibson (1935 – 2019). Together, they had one daughter. Gibson was particularly noted for his interest in birds, having written The Bedside Book of Birds (2005) and The Bedside Book of Beasts (2009). He was a founder and chair of the Pelee Island Bird Observatory.

Tecumseh and Pelee Island are both locations in Essex County, Ontario. Windsor, where I originated, is also in Essex County, about 17 km from Tecumseh.

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A. L. Lloyd (1908 – 1982)

Bert, Albert Lancaster Lloyd, was an English folk singer and collector of folk songs. He appears in this weblog post as a key figure in the folk music revival of the 1950s and 1960s, especially with respect to protest songs. This weblog post is being published on the fortieth anniversary of his death, 2022-09-29.

At one level, The Penguin Book of English Folk Songs (1959) is Bert’s claim to fame. Yet, I read into the title page, edited by R(alph) Vaughan Williams (1872 – 1958) with the assistance of (Bert) A. L. Lloyd. The two editors are not equals, especially in England, the arch class society, as lived in the 1950s. On Goodreads, the book has attracted two reviewers. Paul Bryant gives it five stars, but seems to think listing song titles constitutes a review. V gives it three stars, then writes, “Now all I need to do is find some friends to drink with[,] then sing these [in a] lout-ish manner. In all seriousness though, it’s well laid out with a large notes section.” V, at least, understands that songs have emotional content.

I have not prioritized purchasing this book, but own its replacement, The New Penguin Book of English Folk Songs (2012) by Steve Roud (1949 – ) and Julia Bishop (? – ). On Goodreads, Paul Bryant also gives this book five stars, then comments: “Folk music is a bitterly fought over territory. The original peasants who knew this folk stuff were located and taken into protective custody by some Victorian clerics and given the third degree until they sang like canaries. The clerics then deleted anything that looked like smut and published some of it for thrusting young schoolboys and schoolgirls to sing before they took jobs with the Foreign and Colonial Service and died of dysentery and malaria. Meanwhile some communists began to complain that all this folk was reactionary wimping about love and saucy milkmaids and lords and ladies with cranberries growing out of their brains, and pointed out that factory workers and miners had also made up folk about blacklegs getting their guts spilt. Then other communists, ones with typewriters, said that vicarfolk was all made up by Percy Grainger and Sabine Baring-Gould who used to beat each other’s bare flesh with glove puppets. Folk song? Au contraire, I think you mean fake song! they said. Then some people claiming to be Bob Dylan said that folk was still happening and they proved it too. Then some marketing departments decided it was a good label to stick on anyone who wasn’t actively taking heroin, because a label of folk guaranteed that an album would sell at least 23 copies. So people who once leaned against a pile of unsold Joan Baez albums while they were not waiting for their man were now called folk. It didn’t matter that they’d all written their own songs and played them on saxophones, it was folk if the marketing department said so.”

Kitchen scales do not decisively measure a quality difference between two books. Yet, quantitative measures impact one’s appreciation. The original book has 128 pages, while its replacement has 608. In the General Introduction of the replacement, Roud writes on the earlier work: “Vaughan Williams was one of the last survivors of the great days of the Edwardian folk-song collectors and the grand old man of the English musical establishment, although he died just before the project was completed. By contrast, Lloyd was a journalist and freelance writer who was one of the most vocal of the new Folk Revival activists, criticizing, questioning, and politically committed to spreading the word of folk song to the people.” (ix)

Dave Arthur’s (c1940 – ) book, Bert, the life and times of A. L. Lloyd (2012), provides insights into Lloyd’s life, in contrast to the Wikipedia article, that simply provides a summary. While the Wikipedia article about Bert can be read in a few minutes, it is Dave’s book that will provide a better understanding of his life and works.

Most of Bert’s family died early. In 1924, at the age of 16, after the death of his mother, and shortly before the death of his father, Bert was on his way to Australia on assisted passage, to find a new life as a farm labourer. Dave comments, “ … autodidacts like Bert are frequently such interesting people. Not bound by any ‘official’ canon or university reading list they are free to follow their noses and inclinations through half a millennium of printed books, and in the process explore bookish tributaries and bibliographic cul-de-sacs often missed by those more orthodox literary travellers who stick to the main routes.” (17) While accepting his fate as a farm labourer, he began to appreciate and collect Australian folk-songs. He also invested in HMV Plum Label (read: cheap) records, bought on speculation, to develop his musical understanding. He was not the typical sheep station hand. Immediately after the start of the Great Depression, in 1930, at the age of 21, Bert was back in England.

One of those insights provided by Dave about Bert is that Bert not always concerned about truthiness. For example, at times Bert described his father as a trawlerman = a type of deepwater, commercial fisherman. Dave mentions this, at the same time he presents evidence contesting it. Reading about it, I could not help thinking about a recent American president, an obsessed storyteller.

Libraries often devote large areas for the storage and presentation of literature, where truth is of secondary or lower importance. These collections are not referred to as lies, but as fiction. Individual books are often judged on their emotional appeal, not on how little they deviate from the truth. The same can be said about folk songs, and music more generally. People listen to music because of its emotional appeal, not its strict adherence to truth.

Sometimes, emotional content can be received negatively. In my lifetime, the song with the greatest negative impact is Vinger av stål = Wings of Steel, used by Braathens SAFE = South American and Far East Airlines, to celebrate their 50th anniversary, in 1996. It is so bad, that I cannot even find it on YouTube. I could relate to a song mentioning aluminum, titanium, carbon fibre, or even a more generic light-alloy wing. It is perhaps fitting that Braathens was out of business by the new millennium. For decades they had argued for increased competition in the European airline market. When that opportunity came, they found that they did not have the characteristics needed to succeed.

Bert was often described as a collector of folk songs. Yet, one must ask, what is a collector? Is it simply a synonym for historian? I think not. A collector has an emotional connection with the material being collected. The collection process often changes the content. Yet, the collector themselves may not appreciate how this works in practice.

Stephen Sedley (1939 – ) comments: “I think that both Bert [Lloyd] and Ewan [MacColl/ James Henry Miller (1915 – 1989), another folk singer and folk song collector,] were unnecessarily embarrassed about admitting that they were adding or improving when, of course, the whole folk process had always been a process of adding and improving.” (28)

Bert was soon a member of the Communist Party of Great Britain. He developed a friendship with Arthur Leslie Morton (1903 – 1978), author of A People’s History of England (1938). My 1976 edition takes time to explain that the book originally stopped with the Spanish Civil War, while mine ends with the conclusion of World War II. In the previous century, politics was an import aspect of the folk music being collected.

One of my interests in life is a person’s relationship with technology. In his introduction, Dave describes some characteristics of Bert in terms of ca. 1972 audio equipment, a Swiss Revox reel-to-reel tape deck. At the time, this was the apex of amateur sound recording. The technological world fifty years ago was vastly different. Today, every hand-held device aka smartphone, has audio capabilities that only the finest (read: expensive) sound studios could offer in 1972.

Attitudes to audio recording collections have changed significantly from the mid-1950s to about 2 000. In this previous century, people often took pride in displaying their recorded music collections. These collections allowed visitors to see if there was any overlapping interest. If there was, it could become a topic of conversation.

In this previous century, many musical choices involve selecting an appropriate format. The 78 rpm record was launched in 1928; the 33 rpm 12″ LP in 1948; The 45 rpm 7″ disk in 1949; the compact cassette in 1963; and, the 8-track cartridge in 1964. Each of these increased the availability of popular music. Regardless of format, music consumption was limited by personal hardware and software investments. Even music from radio stations that became widespread in the 1920s and paid for by listening to advertisements, required investment in an AM radio. Wide-band FM radio offered high-fidelity broadcasting in 1933, but only became widespread after the introduction of FM stereo broadcasting in 1961. These formats continued to dominate music until the arrival of the 120 mm digital audio compact disk (CD) in 1982, which is forty years ago. In 1991, MP3, a coding format for digital audio developed largely by the Fraunhofer Society, an applied research institution, in Germany. This format was not tied to a physical device.

Neil Straus explains, that in 1995, material costs were 30 cents for the jewel case and 10 to 15 cents for the CD. Wholesale cost of CDs was $0.75 to $1.15, while the typical retail price of a prerecorded music CD was about $17. On average, a store received 35 % of the retail price, the record company 27 %, the musician 16 %, the manufacturer 13 %, and the distributor 9 %. Because of a perceived value increase, when 8-track cartridges, compact cassettes, and CDs were introduced, each was marketed at a higher price than the format they succeeded, even though the cost to produce the media was reduced. Apple marketed MP3s for $0.99, and albums for $9.99, because the incremental cost to produce an MP3 is negligible.

In terms of digital downloads, in 1997-09, Birmingham, England Duran Duran’s Electric Barbarella became the first paid downloaded digital single, following released Boston, Massachusetts Aerosmith’s Head First that was available without charge.

Musical preferences are often based on two principles: repetition and containment. Repetition allows songs/ tracks grow on people over time. Radio playlists reinforced repetition. Eager listeners would be exposed to multiple plays a day, for at least a week. It offers opportunity for new songs to ingratiate themselves.

Containment allows songs/ tracks to be closely associated with specific, other songs/ tracks. From my childhood onward, music has typically been contained/ bundled in an album format.

What is the 2022 replacement for a music collection? One answer could be Spotify, the proprietary Swedish audio streaming services founded 2006-04-23 by Daniel Ek (1983 – ) and Martin Lorentzon (1969 – ). Some users describe streaming services as a faucet/ tap/ spigot. One turns it on, and music comes out.

One challenge with streaming is that it eliminates, or at least reduces, repetition. There is so much choice available, that music is dismissed without given something a second chance. There is little opportunity to hear a track repeated.

Streaming replaces the album bundle/ container with the track, more specifically, one type of track labelled liked songs. There is no need for any form of continuity between any two liked songs. This makes the development of any emotional attachment between tracks difficult, if not nebulous.

Unfortunately, streaming can be an uncomfortable experience. Many have commented that accessing an infinite amount of music feels inappropriate. There seem to be two challenges, possibly related to our biological nature. First, there should be quantitative limitations placed on any collection. Yes, there should be some finite, max size. Second, content should be appropriately bundled.

Bert produced a large number of albums, that united the content. For example, The Iron Muse (A Panorama of Industrial Folk Song), is the title of two Topic Records albums. The first, an LP released in 1963, followed by a CD released in 1993. Topic Records is a British folk music label, that began as an offshoot of the Workers’ Music Association in 1939, making it the oldest independent record label in the world.

Some people may appreciate this streamed approach to music, but dislike how it is manifest on Spotify, or similar services. For those who appreciate their music direct from the spigot, but dislike the streaming provider, Navidrome could be a solution. It is a simple music library, that self-hosts an open source streaming service that uses a home server and a virtual private network (VPN) on a phone. It can stream from any location, across various devices. Physically, it is a box that plugs into a router. It holds everything from Bandcamp purchases to ripped CD tracks. Users of Navidrome often comment about moving away from Big Streaming to a broader movement that incorporates small-scale tech projects and open-source services that are not resource- or energy-intensive.

In the 1950s and 1960s, when I first became a consumer of music, there was only a limited selection available. That selection was limited by recording studios, to ensure their investments produced an adequate economic return. Then, radio stations limited their play lists. After all, the purpose of a radio station is not to provide listeners with free music, but to sell advertisements. Those who were actually interested in music, typically invested in vinyl records.

Approaches to finding new music in the 2020s typically involves the internet. Online music store Bandcamp provides revenue to many musicians, taking a smaller cut of sales compared with streaming services. The Bandcamp Daily blog is a useful tool to find interesting music.

Sometimes, other living human beings can provide new musical insights. Even if musical tastes differ, people can provide musical insights unavailable from an algorithm. While it might not be the best approach to start a conversation with a complete stranger, one can continue a conversation by asking a person to disclose their most interesting musical experience this week, possibly after divulging one’s own experience.

Local record stores don’t seem to exist here in Norway any more. Some white ware stores seem to have a small selection. Fortunately, there are a few used stores that do seem to offer a selection of used records. In Inderøy, we have Kjæringa me’ Straumen that has many musical gems in different formats, including CDs and LPs.

Other sources for music can be radio stations, local and physical or distant and online. They range from the ultra professional, to amateur. Univerisity/ college/ school stations may appeal to younger people, but there are also stations that are run be retired persons, that target music of specific genres and eras.

DIY! Hardware suitable for the recording and editing of vocal music can be acquired for less than NOK 1 000/ US$ 100. Almost everything can be made using open source software, and a few hardware components such as a basic microphone (suggestion, Behringer XM8500) on an old but quiet laptop. This is goodenuf quality! In many cases, especially in terms of folk music, there should be no copyright issues, especially if distribution is limited to family and friends.

‘

Notes

A minor character in this weblog post is Stephen Sedley. He lists carpentry, music, changing the world as his recreations. Novelist and screenwriter Ian McEwan (1948- ) is more enthusiastic about Sedley’s literary merits, commenting on Ashes and Sparks: Essays on Law and Justice (2011) “you could have no interest in the law and read his book for pure intellectual delight, for the exquisite, finely balanced prose, the prickly humor, the knack of artful quotation and an astonishing historical grasp.” Since about 2003, Sedley has been known, especially, for his Laws of Documents, to be read as humour:

  1. Documents may be assembled in any order, provided it is not chronological, numerical or alphabetical.
  2. Documents shall in no circumstances be paginated continuously.
  3. No two copies of any bundle shall have the same pagination.
  4. Every document shall carry at least 3 numbers in different places.
  5. Any important documents shall be omitted.
  6. At least 10 per cent of the documents shall appear more than once in the bundle.
  7. As many photocopies as practicable shall be illegible, truncated or cropped.
  8. Significant passages shall be marked with a highlighter which goes black when photocopied.
  9. (a) At least 80 per cent of the documents shall be irrelevant. (b) Counsel shall refer in Court to no more than 5 per cent of the documents, but these may include as many irrelevant ones as counsel or solicitor deems appropriate.
  10. Only one side of any double-sided document shall be reproduced.
  11. Transcriptions of manuscript documents and translations of foreign documents shall bear as little relation as reasonably practicable to the original.
  12. Documents shall be held together, in the absolute discretion of the solicitor assembling them, by: a steel pin sharp enough to injure the reader; a staple too short to penetrate the full thickness of the bundle; tape binding so stitched that the bundle cannot be fully opened; or a ring or arch-binder, so damaged that the arcs do not meet.

In Norway, the government switched off analog radio signals in 2017. It was the first country in the world to end FM consumer radio transmissions. Millions of old radios were made obsolete, while consumers were encouraged to purchase new DAB+ radios. Here at Cliff Cottage, we have a DAB+ radio, bought specifically for use during emergencies. If we remember, it is tested annually, then put away until the next year.

The English translation of the name of Kjæringa me’ Straumen, would be something like, the woman with the tide. It comes from Kjerringa mot strømmen which expresses the opposite, the woman against the tide. Originally, this was the title of a Norwegian folk tale published by Asbjørnsen and Moe in 1871. Kjæringa is the Trøndersk dialect pronunciation and spelling, of a term variously translated as woman, wife or (especially in other dialects) hag. In Trøndelag, the term is viewed positively. Straumen is the name of our village, but means the same thing as strømmen = tidal current.

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Classification

If I were born in the 21st century, I am certain that I would have avoided purchasing most of the 4 000 physical/ paper books that are found in our library. Most, but not all, because I appreciate many books precisely because of their images. While there are technical problems using an e-book readers to view high-definition images, these are ideal tools for reading novels and more general works.

Our physical books are organized using a decimal classification system, first developed by Francis Bacon (1561 – 1626), but expanded upon by Melvil Dewey (1851 – 1931). Some aspects of this topic have been discussed in an earlier weblog post. The issues discussed there will not be repeated, but augmented.

Our starting point for a classification system is Dewey Decimal Classification (DDC). DDC was first published in 1876. The latest printed version, 23, was published in 2011. The online version, WebDewey, is continuously updated. Unfortunately, the DDC system is problematic, much like the personality of Melvil Dewey. This system was originally positively received, and initially almost universally used, especially if the universe is restricted to American public libraries. Its focus is on a masculine, Christian, European-American homophobic world. We have introduced modifications.

First, we use a revised schedule for DDC 200 (Religion), developed by Paul Gerard, which gives a more equal weight to all religions, and provides adequate space for a full treatment of the Bahá’í Faith. This is referred to as the Phoenix schedule, and has been implemented many places, including Cliff Cottage.

Second, our geographical world view is non-standard, with a focus on at least three different geographical areas: Greater Vancouver in Canada, Trøndelag in Norway, and the Bay Area in California. Thus I have developed my own classification system, Geoscheme. The current version, E2, dates from 2016-05-07, and can be accessed below.

Geoscheme E2

While Dewey’s promotion of the metric system can be applauded, other areas of focus were less positively received and less successful, such as his promotion of a spelling reform, resulting in a permanent first name change from Melville, and a temporary last name change to Dui.

At the 2019 American Library Association annual conference, council document #50 presents a resolution on renaming the Melvil Dewey medal to remove Melvil Dewey’s association with the award. It was passed unanimously. Among the reasons cited are: “ … that he did not permit Jewish people, African Americans, or other minorities admittance to the resort owned by Dewey and his wife; … he was censured by the New York State Board of Regents for his refusal to admit Jews to his resort, whereupon he resigned as New York State Librarian; … Dewey made numerous inappropriate physical advances toward women he worked with and wielded professional power over; … during the 1906 ALA [= American Library Association] conference there was a movement to censure Dewey after four women came forward to accuse him of sexual impropriety, and he was ostracized from the organization for decades”.

Other Document Classification Systems

Perhaps the main challenge with library classification systems is their arrangement as hierarchical tree structures. As time progresses, the world of Melvil Dewey becomes less relevant. New categories become increasingly needed as old ones fade into the background. Increasingly, there is co-operation across fields, so that books (and other objects) need to display multiple classifications.

In Europe, the Universal Decimal Classification system dominates public libraries. It was developed by Paul Otlet (1868 – 1944) and Henri La Fontaine (1854 – 1943). They initially created the Répertoire Bibliographique Universel (RBU), starting in 1895. They then wrote to Dewey and received permission to translate his DDC into French. However, instead of translating, they made some radical innovations, such as adapting its enumerative classification approach in which all the subjects are listed and coded, into one that allows synthesis, essentially, the use of compound numbers to represent interrelated subjects. In addition, potential relations between subjects were identified, and symbols assigned to represent them. The result of this work, Manuel du Répertoire bibliographique universel, appeared in 1905. An outline of the UDC is available here.

So far, the important work of Charles Amee Cutter (1837 – 1903) has been ignored, in these weblog posts. Yet, his Cutter Expansive Classification system is important. It uses seven separate schedules, each designed for libraries of different sizes. The first schedule is the most basic. After this, each schedule expands from the previous one. Cutter provided instructions on how a library might expand from one schedule to the next, as it grows.

The Library of Congress Classification (LCC), was developed by Norwegian born librarian J. C. M. Hanson (1864 – 1943) from Cutter’s system, starting in 1897. It replaced the fixed location system developed by Thomas Jefferson (1743 – 1846). The major flaw with LCC is its absence of a sound theoretical basis. Classification decisions were driven by practical needs, rather than epistemology: It is focused on books found in one library’s collection, and does not attempt to classify human knowledge of the world.

Digital Documents

Our digital documents, including text, image and audio files are stored on a server, where several copies are kept in case of disk failure, along with other copies on external hard drives. These can be transferred to other devices as required, including e-book readers. These documents do not have the same need of a classification system, because they can be searched for in different ways. It takes only a few seconds to transfer these documents to other devices, such as laptops, stationary machines or e-book readers.

The Five Laws of Library Science

This weblog post is being published on the fiftieth anniversary of the death of Shiyali Ramamrita Ranganathan, (1892-08-12 – 1972-09-27). He was an Indian librarian and mathematician who developed Five Laws of Library Science (1931), and the Colon Classification System (1933).

Shiyali Ramamrita Ranganathan

The five laws are:

  1. Books are for use: This focuses attention on access-related issues, such as library location, loan policies, hours and days of operation, the quality of staffing and even more mundane matters, such as library furniture and temperature control.
  2. Every reader his or her book: libraries serve a wide variety of patrons, they have to acquire literature to fit a wide variety of needs. Everyone is different and each person has different tastes regarding the books they choose.
  3. Every book its reader: All books have a place in a library, even if only a small demographic chooses to read them.
  4. Save the time of the reader: All patrons should be able to easily locate the materials they desire quickly and efficiently.
  5. A library is a growing organism: a library is a dynamic institution. Books, methods and the physical space needs to be updated over time.

There have been numerous updates and modifications of these laws over time. In 2004, librarian Alireza Noruzi emphasized the web. In 2008, librarian Carol Simpson referred to media, more generally. In 2015, B. Shadrach referred to knowledge. In 2016, Achala Munigal focused on social media.

Colon Classification System

A faceted classification uses semantic categories, either general or subject-specific, that are combined to create the full classification entry.

In the Colon Classification system, originally presented in 1933, a book is assigned a set of values from each independent facet, using punctuation marks (most notably colons) and symbols between the facets to connect them.

The system is organized into 42 classes. In the 6th edition (2006), some examples are: Class D = Engineering, J = Agriculture, N = Fine Arts, U = Geography and X = Economics. Each class is has its own specific characteristics, facets. There are five fundamental categories that can be used to express the facets of a subject:

  • Personality is the most specific or focal subject.
  • Matter is the substance, properties or materials of the subject.
  • Energy includes the processes, operations and activities.
  • Space relates to the geographic location of the subject.
  • Time refers to the dates or seasons of the subject.

As e-reading increases, and works rely more on digital storage, than physical storage, it becomes easier to use tags, rather than numbers, to classify books. With tags, one is no longer confined to the singularity of one classification system. Tags can be a mishmash of Dewey, Cutter, LCC, Colon or other features. There is no need to physically locate a book in order to read it. At Cliff Cottage, relatively fewer books are located on physical shelves in our library, while an increased number of books are found on virtual shelves on our server. There is no limit on the number of household residents, who can access the same book simultaneously!

A book can be found, and loaded onto an e-reader almost instantaneously. The current difficulty with such a system, is being in agreement as to which tags are to be used.

Note: This weblog post has been in development for over two years. One text (A) mostly about Ranganathan, was originally written 2020-07-08; a second (B), about library classification systems more generally, on 2020-11-19; a third (C) mainly about classification as it applies to physical inventories, like screws, buttons, flour and yarn, was started on 2021-12-23. These were amalgamated on 2022-02-25 and further modified on 2022-08-31 . This text didn’t work properly. On 2022-09-20, these were separated into two separate documents, essentially (A & B) and (C). The text as it appears here consists of the first two texts.

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bell hooks (1952 – 2021)

bell hooks, 2009-11-01 Photo: Cmongirl

bell hooks (no capitals, please) was born Gloria Jean Watkins in Hopkinsville, Kentucky, on 1952-09-25, or 70 years before the publication of this weblog post. Her pen name is taken from her maternal great-grandmother who, according to Heather Williams “was known for her snappy and bold tongue, which [bell hooks/ Gloria Jean Watkins] greatly admired”. Williams further informs us that the name was put in lowercase letters “to distinguish [herself from] her great-grandmother.” It also signified that it was more important to focus on her works, not her personality, expressed as the “substance of books, not who I am.”

Perhaps the most import insight bell hooks brings is that communication and literacy, defined as the ability to read, write and think critically, are necessary for the feminist movement because without them people may not recognize gender inequalities.

If there is a single work that would help people understand bell hooks, it is Ain’t I a Woman: Black Women and Feminism (1981). The title is not original. It was used by Sojouner Truth (1797 – 1883), as the publication title of an untitled speech given at a Woman’s convention in 1851 at Akron, Ohio. The fact that there is 130 years between these publications suggests that the status of Black women has not improved noticeably in that time.

Racism and sexism have doubly impacted the lives of Black women, so that they have the lowest status and worst conditions of any group in American society. Southern segregationists promoted a stereotype of Black female promiscuity and immorality. According to hooks, white female reformers were more concerned with white morality than the living conditions of Black Americans.

White society stereotyped white women as pure/ goddess/ virginal, in contrast to the stereotypical Black women depicted as seductive whores. This, in turn, justified the rape of Black women by white men. hooks views Black nationalism as patriarchal and misogynist.

The then-current feminist movement (from the 1970s), is seen as a (largely) white middle and upper class movement, unsympathetic to the needs of poor/ non-white women. This feminism actually reinforces existing patterns of sexism/ racism/ classism.

There are two other problematic starts, and legacies affecting Black women. The Nation of Islam dates from 1930. The Nation was started by Wallace Fard Muhammad (c. 1877 – c. 1934) in Detroit. After Muhammad’s disappearance, leadership was taken over by Elijah Muhammad (1897 – 1975), who expanded it to include schools/ banks/ restaurants/ stores/ truck and air based transportation systems/ publishing in 46 American cities. It also owned about 80 square kilometers of farmland in 1970. While all of these may be viewed positively, it was also a patriarchal organization that promoted gendered roles, and denied women leadership opportunities.

The Black Panther Party was started in the mid 1960s, by Huey P. Newton’s (1942 – 1989) and Bobby Seales (1936- ). They initially developed a 10-point manifesto. The Black Panther Party founded over 60 community support programs (renamed survival programs in 1971) including food banks, medical clinics, sickle cell anemia tests, prison busing for families of inmates, legal advice seminars, clothing banks, housing cooperatives, and their own ambulance service. The most famous of these programs was the Free Breakfast for Children program which fed thousands of impoverished children daily during the early 1970s. Newton also co-founded the Black Panther newspaper service, which became one of America’s most widely distributed African-American newspapers.

To begin with, not all was well with the Black Panther Party. It too advocated violence, black masculinity and traditional gender roles. Thus, it was not a vehicle for improving the status of Black women. It was patriarchal and misogynist. However, things started to improve, especially from 1968, when women constituted two-thirds of the party.

In Black Looks: Race and Representation (1992) hook takes an article by Audre Lorde’s (1934 – 1992) about black womanhood as a structure, then discusses how black women are imprisoned in a stereotype of violence, that continues on through the generations. She believes that the narrative can be changed, but that it is hard. Black women are encouraged to discuss Black literature. Yet, this does not come with any guarantees of self-actualization. In particular, she refers to Celie, a character in Alice Walker’s (1944 – ) The Color Purple (1982), where she escapes an abusive situation, only to return to a similar situation at the end of the novel. What these fiction writers are doing, is breaking “new ground in that it clearly names the ways structures of domination, racism, sexism, and class exploitation, oppress and make it practically impossible for black women to survive if they do not engage in meaningful resistance on some level.” (p. 50) Angela Davis (1944 – ) and Shirley Chisholm (1924 – 2005) are presented as examples of Black women breaking the trend and resisting the cycles. Women of color need to engage in feminism and in the “decolonizing of our minds” in order to center “social change that will address the diversity of our experiences and our needs.” (p. 60)

Not being Black, female or queer pas gay, it is not my place to pass judgement on the previous two works. At some level there is an intellectual understanding, but no lived experience. This is not the case with the third, and last, book that I would like to discuss: belonging: a culture of place (2009). hooks begins chapter 2, Kentucky is My Fate, with: “If one has chosen to live mindfully, then choosing a place to die is as vital as choosing where and how to live. Choosing to return to the land and landscape of my childhood, the world of my Kentucky upbringing, I am comforted by the knowledge that I could die here.” This was her fate, in 2021.

She regards her upbringing in rural Kentucky, as an exposure to anarchy, where people are enabled to live a relatively free life, despite racial separatism, white exploitation and black oppression. She contrasts this with more general urban experiences, where rules were made, imposed and enforced by unknown others, where “black folks were forced to live within boundaries in the city, ones that were not formally demarcated, but boundaries marked by white supremacist violence against black people if lines were crossed. Our segregated black neighborhoods were sectioned off, made separate. At times they abutted the homes of poor and destitute white folks. Neither of these groups lived near the real white power and privilege governing all our lives.”

In her last chapter, 10: Earthbound: On Solid Ground, hooks discusses the concept of interbeing, “That sense of interbeing was once intimately understood by black folks in the agrarian South. Nowadays it is only those who maintain our bonds to the land, to nature, who keep our vows of living in harmony with the environment, who draw spiritual strength from nature. Reveling in nature’s bounty and beauty has been one of the ways enlightened poor people in small towns all around our nations stay in touch with their essential goodness even as forces of evil, in the form of corrupt capitalism and hedonistic consumerism, work daily to strip them of their ties with nature…. To look upon a tree, or a hilly waterfall, that has stood the test of time can renew the spirit. To watch plants rise from the earth with no special tending reawakens our sense of awe and wonder.”

While I am happy that bell hooks was able to return to Kentucky, it is not always possible for people to return to their own place. For most of my adult life, my home town, New Westminster, on the banks of Sto:lo, the Fraser River, has been economically inaccessible. Thus, I have had to create my own substitute, Cliff Cottage, at Vangshylla, in rural Inderøy, Trøndelag, Norway. This has not happened without my own internal protests! Despite these, it is a place that is suitable for my anarchist self. Rural landscapes make better use of their internal resources, and are closer to sustainable. Prices for housing are lower, so people can work less. The benefits of an rural lifestyle are real.

Urban landscapes, unfortunately, have become dependent on the massive import of external resources, for their survival. They are no longer sustainable. People living there, feel a need to work excessively just to pay for the basics of housing. The benefits of an urban lifestyle are largely a mirage. At one point I read that in 2020 New Westminster experienced the worst air quality in the world due to the combined effects of the 2020 Western American wildfires and a fire at the old pier at the quay.

This week, I was sent two listings for houses for sale in Kerrisdale, a residential area in Vancouver, British Columbia, where Trish, my wife, grew up. The prices for these modest houses on smallish lots were between two and three million dollars, Canadian. I would discourage everyone, from supporting this form of übercapitalism. Buying such a house is not in the spirit of bell hooks. It is hard to be an anarchist, making monthly mortgage payments! It is hard to be an anarchist, wasting income on unnecessary expenditures.

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Plasma Kinetics

This illustration shows some of the applications for Plasma Kinetics hydrogen technology, that include aircraft, and assorted types of land vehicles. Presumably, various types of vessels could also use it. Source: Plasma Kinetics.

Hydrogen based storage technology could replace capacitor and battery technology for energy storage in vehicles, vessels and aircraft of various types and sizes. Previously, posts in this weblog have taken up a hydrogen station explosion, and its aftermath. In addition, a flawed report about the economics of hydrogen and methane has been examined.

Plasma Kinetics hydrogen technology was introduced, and patented, in 2008. It was first claimed that the technology was transformational, then disruptive. Almost immediately restrictions were placed on their use of patents, effectively resulting in the technology being banned by the US government. That situation continued until 2017, when it was allowed to be commercialized. There were some restrictions imposed under the International Traffic in Arms Regulations (ITAR), which continues to restrict its export as a missile fuel.

Where Plasma Kinetics technology differs from other providers of hydrogen, is that it does not need a compressed gas infrastructure to capture, move or distribute hydrogen. Instead, one common distribution method is to fill 19 l / 7 kg containers with hydrogen, for sale at assorted local stores. Empty containers can be returned, in exchange for recharged containers.  The stored hydrogen is non-flammable.  Containers of hydrogen can be transported via truck, rail, or ship without restriction.  There is no need to build compressed hydrogen gas stations.  Plasma Kinetics systems are slightly larger, and only moderately heavier, than compressed gas carbon-fiber tanks at 700 bar.  But solid storage containers are much easier to manage than compressed gas, and have a lower overall energy cost, and a cleaner fabrication process.  Safe, non-flammable, hydrogen storage in dense solid form. Hydrogen is zero-carbon. No energy or pressure is required to collect and store hydrogen. No pipelines or fixed structure pumping stations are required. Cassette, canister and other container systems can be easily recharged. Materials used are non-toxic and readily available worldwide. The entire processing process is quiet. 

The nano-graphite film recharges through 150 cycles and is fully recyclable. The reason for this limit, is that the process only works with atomic hydrogen = 1H (where an atom consists of one proton and one electron, but no neutrons). This amounts to 99.98% of hydrogen found in the wild. Deuterium = 2H (where an atom consists of one proton, one neutron and one electron), amounts to 0.02% of the wild hydrogen population. It cannot be used in the energy system, so it accumulates on the film. It can, however, be retrieved when the storage units are recycled, and sold for a profit that exceeds the recycling costs!

Comparison between different hydrogen storage methods. Source: Plasma Kinetics.

My acquaintance with this technology came from a YouTube video (2021-06-24) on the E for Electric channel, when Sandy Munro was asked by Alex Guberman, what he would do if he became CEO of Toyota for a day? Part of his answer involved Toyota acquiring, or at least developing a relationship with, Plasma Kinetics.

Some weeks later, in an interview with Paul Smith (2021-08-12), Smith explains how the technology works, starting at about 5m00s in. He claimed that 15 lbs provides 20 miles of range in a car. With a severe allergy to imperial units, I would probably have said that a 19 l/ 7 kg cartridge would provide an average car with sufficient energy for 30 km. Cylinders for trucks would be 20 x larger (140 kg). Four of those would allow a truck to travel 570 miles = ca. 900 km.

One of the main concerns with this technology is the capability of consumers to replace a 19 l/ 7 kg cartridge every 30 km. People expect a modern electric vehicle (EV) to have a range of at least 300 km, which would require a vehicle to carry ten such units, at a weight of 70 kg. It was pointed out that systems were being developed for the automatic removal and insertion of disks (in cars), and presumably cylinders (in trucks and airplanes).

It was noted that while batteries are extremely efficient, the specific energy of hydrogen, expressed in terms of J/ kg, is three times that of a battery. Except, in some respects, one is comparing avocados with olives! The hydrogen needs to go through a fuel cell for its energy to be converted to electricity.

It should be noted that prior to the hydrogen ending up in some container, water = H2O has been converted in an electrolyzer resulting in hydrogen 2 parts H2 and oxygen 1 part O2. Please do not ask what happens to the oxygen!

Both fuel cells and electrolyzers are becoming smaller, lighter and more reliable. Electrolyzers can be stationed at local wind or photo-voltaic farms, wastewater treatment facilities, or other climate friendly sources.

It was also pointed out that a conventional compressed hydrogen refueling station can cost US$ 2.5 to 3 million. This contrasts with a station for Plasma Kinetics containers that costs about US$ 200 000.

A fuel cell vehicle using this technology should be far cheaper to make than a battery electric vehicle. Some items are eliminated, others are repurposed. For example, the battery cooling system becomes a fuel cell cooling system. Some components remain the same, such as the electric motors. In essence, a heavy battery is being replaced with a much lighter fuel cell and the Plasma Kinetics photo release system for hydrogen. This should give the vehicle improved range.

Paul Smith concludes that interest for the technology is stronger in Asia and Europe, and much less so in North America. A fab = fabrication facility = factory, to make the equipment costs about US$ 100 million.

In EV 2030 predictions, the challenges with fuel cells involve the energy costs of electolyzing hydrogen from water, which account for somewhere between 25% (DC) and 31% (AC) energy loses. Then, processing of hydrogen in the fuel cell costs another 50%. This means that the energy value available to the motors is somewhere between 36 – 38%. In contrast, the energy value available with a battery is about 77%.

Since my prophecy quotient is already used up, I will only speak of dreams. One of which is that dynamic charging along highways will meet much of the vehicular need for electricity, by 2050. Unfortunately, this is not supported by any evidence seen so far. Associated with this dream, is that the cost of dynamic charging technology will be less than that provided by hydrogen containers and fuel cells or equivalent battery based components, in vehicles. An agenda to this dream is that solid-state batteries will become the norm because of their increased specific energy and energy density, and durability. Any such batteries will generally be much smaller and reserved for last mile situations, something a 20 kWh battery would be able to supply.

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Eurorack

For people living – possibly even born – in the 21st century, Eurorack is a major approach to acquiring an affordable synthesizer. It is not a specific instrument, but a modular synthesizer format originally specified in 1996 by Doepfer Musikelektronik. It has since grown in popularity, and as of 2018 has become the dominant hardware modular synthesizer format, with over 5000 modules available from more than 270 different manufacturers.

Stated another way: If you, as a synthesizer playing person, want to base your synthesizer on modular components, there is no point in acquiring anything that isn’t Eurorack compatible; If you are a synthesizer module manufacturer, there is no point in offering modules that aren’t Eurorack compatible. Eurorack is the unavoidable standard, the intersection between module consumers and producers. Here, in this weblog post, the Eurorack specifications will be examined in some detail.

The mechanical specification for the Eurorack are derived from Eurocard, but with additional power supply and bus board specifications. The power supply is currently specified as A-100 PSU3, updated in 2015. Many cases adhere to the A-100 PSU2 specification, this allow modules to fit into existing (read: used) rack cases.

The Doepfer bus board allows for a maximum of 14 modules to be plugged in. A standard Doepfer case, either rackmount or portable, consists of two rows of 84hp, 6U high, that contain one PSU and two bus boards.

A Doepfer A-100 modular synthesizer, with two modules from Analogue Solutions, and the remainder from Doepfer. Photo: Nina Richards, 2011-12-02.

Doepfer-style bus boards are circuit boards. An alternative to these is a flying bus board. These have similar connections but use a flexible ribbon. This is often preferred, as mounting circuit boards can sometimes prove difficult.

The modules themselves have to meet Eurocard specifications for printed circuit board (PCB) cards that can be plugged together into a standard chassis which, in turn, can be mounted in a 19-inch rack. The chassis consists of slotted card guides top and bottom, into which cards are slid so they stand on end. The spine of each card has one or more connectors which plug into mating connectors on a backplane at the rear of the chassis.

Module height was three rack units (3U) and the width was measured in the Eurocard-specific Horizontal Pitch (hp) standard, where 1hp equals 0.2 inches, or 5.08 mm. The modules were largely low-cost, compact, and had some components on their boards that were socketed instead of soldered down, so the user could, for example, upgrade to a better op-amp IC.

An unpopulated Doepfer LC6 Eurorack case, with power bus. Photo: Ashley Pomeroy, 2020-12-31.

Nathan Thompson, writing as nonlinearcircuits, has posted 33 laser-cut Eurorack cases, plus rails and some other components on Thingverse. Most of the cases date from 2015 and 2016.

Modules connect to a bus board using a 10-to-16 or 16-to-16 pin cable, depending on module design. These 16 pins are arranged in pairs and carry the following signals, from top to bottom: Gate, CV, +5V, +12V, GND, and -12V. The bottom 10 pins do most of the work, providing + and -12V to power the modules. The top two pins are for Doepfer’s optional internal CV and Gate routing. The +5V rail is used on some modules that require more power.

Plugging modules in, is not always as simple as it seems. Experienced Eurorack users will rigorously check connections before powering up, no matter how long they’ve been working with the system. Typically, the red stripe on the ribbon cable connecting the modules to the bus board must line up with -12V. This should be labeled on the module, and is always labeled on the bus board. Plugging a module incorrectly may have expensive ramifications.

A-100 PSU2 provides 1200 mA = milliamps of current to both the +12V and -12V rails. This has to be compared with the power drawn by a module. This has to be less than what the PSU specifies. The A-100 PSU3 also provides +5 V of power.

With the classic Doepfer case, a user would need to consume less than 1 200 mA on both rails. Modules should be almost evenly split between the two bus boards. If a module requires +5V, most manufacturers, including Doepfer as of 2015, either a PSU3 has to be used, or an adapter, which takes current from the +12V rail. The amperage required on the +5V rail will be subtracted from that available current on the +12V rail. The power specifications in Eurorack are not technically standardized, but most follow the Doepfer standard.

Perhaps the most important consideration, but one that may be difficult to answer for someone new to synthesizers and/ or Eurorack, is deciding on the type of rig to make.

Some people refer to a classic analogue synth, a rig capable of generating its own waveforms with wave-shaping tools to add character including textures and timbres to the generated signal. Another approach is to build an effects rack that processes sound generating elsewhere. These can be monophonic, stereo or polyphonic. Below this, one can build a drum machine that is focused on rhythm, rather than more tonal qualities.

One major advantage of Eurorack is its modular nature, allowing an opportunity to add and delete modules. To construct a self-contained instrument one needs: an oscillator, a filter, a voltage controlled amplifier (VCA), two envelope generators, one for the filter and another for the VCA, an effects unit, a mixer and/ or an output module.

Beginners are often encouraged to choose an analogue oscillator. These are easy to find and use, while still offering opportunities for creative expression.

Voltage-controlled oscillator (VCO) generate waveforms—sine, triangle, sawtooth, ramp or square waves— that are slightly unstable, with fluctuations in pitch and timbre as the voltage changes over time, this gives the oscillator a unique character.

Filters impact sounds the most. For better or worse, many modern synths use filters with characteristics that emulate those found on specific vintage synthesizers.

Robert Moog’s (1934 – 2005) lasting impact on synthesizers, starts with his dictate of 1 V per octave. Increasing the voltage going into a VCO by 1 volt raises its pitch by one octave. To understand this, consider a piano and how it is tuned. Convention dictates that middle C is referred to as C4. Tuning is based on A4, two white keys below, or to the left of, middle C. A4 has a standard frequency of 440 Hz. For convenience, it will be assumed that this is produced by a VCO signal of 4V. Thus, the relationship between note, voltage and frequency can be expressed by: A0 = 0V = 27,5 Hz; A1 = 1V = 55 Hz; A2 = 2V = 110 Hz; A3 = 3V = 220 Hz; A4 = 4V = 440 Hz; A5 = 5V = 880 Hz; A6 = 6V = 1 760 Hz; A7 = 7V = 3 520 Hz; A8 = 8V = 7 040 Hz. Note: Not all VCOs are turned to A in this fashion. As can be seen, above, this results in an exponential relationship between voltage and frequency, as each change in octave requires an additional doubling or halving in frequency. An accurate reproduction of this exponential curve in modules is difficult in analogue synthesizers because temperature changes and the ageing of electronic components, often referred to as tracking errors, can impact pitch.

An aside: Many Japanese synthesizers, such as those made by Yamaha or Korg, use a system where voltage is proportional to frequency. If A1 = 1 V, then 2A = 2 V, 3A = 4 V, 4A = 8 V. In other words, it takes a doubling or halving of the voltage to result in an octave change.

There are three basic approaches to acquiring modules that can be used with Eurorack. These are 1) assembled systems; 2) DIY from kits; 3) DIY from components. All three of these approaches will be discussed below.

Assembled Systems

Moog in the late 1960s released synthesizer modules Ic, IIc and IIIc followed by the Ip, IIp and IIIp These were followed in the early 1970s by System 10, 12, 15, 35 and 55. These were all extremely expensive, based on a discrete transistor designs. The separate modules – such as oscillators, amplifiers, envelope generators, filters, noise generators, ring modulators, triggers and mixers – were connected using patch cords, which also enabled them to control each other. This produced a distinctive sound that made its way into many contemporary recordings. Production of all these except system 15, 35 and 55 modules had stopped by 1973. These last three lasted until 1981. Moog released new versions of some of these since 2014, but these typically cost US$ 35 000.

The patents and other rights to Moog’s modular circuits expired in the 1990s. With the expiration of these rights, other manufacturers have been able to offer sound clones of these modules, many in the Eurorack format. Since 2020, Behringer has been one of these.

The Behringer 960 Sequential Controller Photo: Behringer

The Behringer 960 sequencer controller replicates the operation of System 55 but using modern components, and built so that can fit in a standard Eurorack case. It is also affordable, at about NOK 1 600.

DIY from kits

Dreadbox Dysphonia Eurorack synth module Photo: Dreadbox

For slightly more money, about NOK 2 200, one could also buy a Dreadbox Dysphonia, that was offered as a kit in 2021-11. As with many kits, it was made as a single run. Once the kits from that batch are sold, no additional kits will be made. Dreadbox describes this as buy now or cry later. On 2022-01-19, one was being offered for sale for NOK 4 000. Despite the hype, one can usually expect something similar being offered in the future, but there will be differences, sometimes even improvements.

The main advantage of this kit is that It could be used as a stand-alone desktop synthesizer, or be fitted into a Eurorack. To facilitate both purposes, It comes with a USB to Eurorack power converter. This type of kit is claimed to be well suited for inexperienced DIY construction. Instructions are typically easy to understand, and solder together!

The Dysphonia consists of 13 individual sections that offer an affordable, compact, modular patch system, if one is prepared to build the system from parts. It consists of a single analogue oscillator comes with 4 waveforms that you can patch independently through 3 VCAs = voltage controlled amplifiers, and a 3 channel mixer before being subjected to a 24dB 4-pole lowpass filter and 12dB 2-pole multimode filter. The low pass filter can also self-oscillate to provide additional tones. In addition to an analogue LFO = low frequency oscillator ad envelope, there is a digital modulator providing 4 different modes with low frequency oscillator (LFO), Envelope, Random and CC = continuous control, a MIDI = musical instrument digital interface message capable of transmitting a range of values, usually 0-127. These are commonly used for controlling volume (#7), pan (#10), data slider position (#6), mod wheel (#1) and other variable parameters. This can enhance music, but an over-use of these messages can result in MIDI log-jam, where the amount of data sent exceeds the supported bandwidth. There is also a MIDI-to-CV = control voltage, module which provides analogue to digital and digital to analogue conversions, allowing the module to intereact with a keyboard, computer, phone or almost any other device. There is also a Hybrid Echo module.

DIY from components

One useful source of updated electronic information comes from Elektor magazine. A green subscription provides everything digitally, including back issues. Elektor publishes electronic projects, background articles and designs aimed at engineers, enthusiasts, students and others. It also sells printed circuit boards (PCBs), kits and modules. PCB design work is usually available without charge from their website. Microcontroller and/or computer based projects normally come with program source code and other necessary files.

This is also a good source of synth designs that take advantage of modern electronic components with methodologies that are suitable for hobbyists.

Gear Acquisition Syndrome

One of the major challenges with Eurorack, is that it encourages the acquisition of excessive amounts of gear. Gear acquisition syndrome (GAS) is a real psychological challenge, satirically documented by Steely Dan guitarist Walter Becker (1950 – 2017) in a 1994-04 Guitar Player magazine article (p. 15), where G originally stood for guitar. Because the many providers of Eurorack offer a wide variety of relatively low-cost components, often with specific but limited characteristics, it is tempting to buy just one more! Some people realize compulsive shopping should be resisted. Those who need the advice, will probably not follow it.

The seven key stages of GAS are discussed in a 2022-08-18 Music Radar article. These are: dissatisfaction, desire, ‘research’, the purchase, guilt, acceptance and relapse. Relapse, this last “cruellest stage of GAS can hit anywhere between a year to eighteen months after the purchase, although the time passed invariably depends on the amount of cash spent and the amount of meals you’ve had to eat from a tin as a consequence.” Once again, the article refers specifically to guitars, but also applies to synths, and by extension Eurorack modules.

Another weblog post tentatively titled DIY Synths and currently scheduled for publication 2023-03-25, contains more detailed information about synth circuits, especially from kits.

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Elizebeth Friedman (1892-1980)

One hundred and thirty years before the publication of this weblog post, Elizebeth Friedman née Smith (1892–08-26 – 1980-10-31) was born. She was known in later life for her expertise in cryptanalysis.

Cryptanalysis, popularly called code breaking, is actually an important branch of computer science. All practitioners are expected to have some basic understanding of it, at both practical and conceptual levels. It is actually a broader topic than many realize. It involves the analysis of information systems to understand what lies hidden. As expected, Wikipedia has an article on the topic. People often describe some (often their own) cryptanalytic efforts as reverse engineering. Other people may actually think they know what this term implies, but it is vague, often deliberately used to cover up the specific techniques involved in ferreting out system information.

American Cryptanalysis begins at Riverside, Illinois, where a number of documents on the subject were published, some of which are available for download. This was mainly the work of one woman, Elizebeth Friedman (1892-1980), sometimes assisted by her husband, William (1891-1961), who was working at Riverside, starting in 1915, then went on to lead the research division of the Army’s Signal Intelligence Service (SIS) in the 1930s, and some follow-on services into the 1950s. William’s one major contribution was inventing the term cryptanalysis!

Unfortunately for the world, some scientific practices are shameful. It is not so much the individual facts that are either stumbled upon or ignored that constitute a major problem, but rather how some practitioners (typically male) take credit for work performed by others (typically female). In addition, large numbers of women have been actively discouraged in pursuing scientific careers, simply on the basis of their gender. In the twentieth century, when they were permitted to participate, they were shunted into inferior positions/ roles, and their activities were depreciated. Hopefully, in the twenty-first century, this will come to an end.

Elizebeth Friedman was the foremost cryptanalyst in USA, exceeding in ability, the talents of her husband. This is mentioned because, while they worked together, only William Friedman’s name appears on published documents, although many knew that they were sometimes written jointly, but often by Elizebeth alone. It is difficult (if not impossible) for me, a male, born more than half a century after her, to understand her situation, let alone her motivation for allowing her husband to receive full credit.

Yet, the most outrageous appropriation of her work did not involve her husband, but another American man who should have been regarded as Public Enemy #1, John Edgar Hoover (1895 – 1972). who took credit for much of Elizebeth’s cryptanalysis. As Wikipedia states, “Later in life and after his death, Hoover became a controversial figure as evidence of his secretive abuses of power began to surface. He was found to have exceeded the jurisdiction of the FBI, and to have used the FBI to harass political dissenters and activists, to amass secret files on political leaders, and to collect evidence using illegal methods. Hoover consequently amassed a great deal of power and was in a position to intimidate and threaten others, including multiple sitting presidents of the United States.”

Fake Science and its consequences

Originally, this post ended with the previous paragraph. Then, on 2022-07-22, some allegations emerged that part of a key 2006 study of Alzheimer’s disease may have been fabricated. Matthew Schrag (1971 – )found serious problems with underlying research led by Sylvain Lesné (1974 – ) on a specific protein. Science has now issued a statement about it. Images accompanying and supporting the research, seem to have been altered.

One problem with fake research is that it often results in fakers getting undeserved research grants. More importantly, real researchers get denied these grants, which can mean that medical breakthroughs get delayed. This can result in unnecessary suffering, or even premature death. The amount of money involved can reach hundreds of millions of dollars. The wrong papers get cited. In this particular case, one published in Nature, has been cited 2 300 times.

Schrag told Science, “You can cheat to get a paper. You can cheat to get a degree. You can cheat to get a grant. You can’t cheat to cure a disease.” This is the real essence of the problem. Fake research leads society down a cul-de-sac that leads nowhere.

Much of the world is already treating science with contempt. In particular, there are climate deniers, who use falsified science to justify their own claims. There are oil companies that have knowingly publicly denied the climatic impact of the carbon dioxide produced from the combustion of petroleum products, despite knowing about its consequences for about six decades. This is having a negative impact on billions of people, while some few others are provided an unwarranted life of luxury.

The world needs to prevent the publication of falsified reports, such as those by Lesné. Currently, the peer review system lacks a mechanism to prevent the publication of doubtful works. I remember my wife, Trish’s cousin, Terry Heaps (1941 – 2017), discussing a paper he had peer reviewed as a resource economist. He had rejected it, because it contained some bad data that produced incorrect conclusions. He had been alerted to this situation by an illustration. He notified the publication of this fact. The publication then notified the author. Despite this, the paper showed up in another publication, complete with the bad data and incorrect conclusions, but minus the illustration.

In addition to developing a system to prevent inappropriate works from being published, science needs to ensure that people who make valuable contributions, such as Elizebeth Friedman, are fully acknowledged.

Addendum

Once again, this post ended with the previous paragraph. Then, on 2022-08-21, X-ray evidence emerged that Wyndham Lewis (1882 – 1957) had deliberately destroyed Helen Saunder’s (1885 – 1963) missing artwork, Atlantic City (ca. 1915), by painting Praxitella (1921) on top of it. Students Rebecca Chipkin and Helen Kohn, used X-ray and other imaging technology to investigate Praxitella, because of its “uneven texture and glimpses of bright red through cracks in the surface paint.”

Vorticism was an artistic movement, heavily influenced by cubism and futurism, whose artworks typically used bold colours, harsh lines and sharp angles. It originated with the Rebel Art Centre, started in 1914 by Wyndham Lewis and Kate Lechmere (1887 – 1976), who financed it. Helen Saunders and Jessica Dismorr (1885 – 1939) were associated with the movement as practicing painters. The movement also had literary supporters that included Ford Madox Ford (1873 – 1939), Ezra Pound (1885 – 1972), T S Eliot (1888 – 1965) and Rebecca West (1892 – 1983).

The Courtauld Gallery is an art museum in central London, established in 1932. It houses the collection of the Courtauld Institute of Art, a self-governing college of the University of London, specializing in art history. Barnaby Wright, deputy head of the Courtauld Gallery and a 20th-century art specialist, is quoted several times in the Guardian article.

“Saunders was a really interesting figure, but she was largely overshadowed by her male contemporaries. She and Jessica Dismorr were the backbone of the group,”

“In the prewar years, [Saunders] was one of the most radical painters and draughtspeople around. There were only a handful of people in Europe producing that type of hard-edged abstract painting and drawing.”

Atlantic City depicts a fragmented modern metropolis, almost certainly in the vibrant colours associated with the Vorticists. A black and white image of the painting appeared in Blast, the avant garde Vorticist journal.

Starting on 2022-10-14, Courtauld Gallery will open Helen Saunders: Modernist Rebel, an exhibition of 18 of Saunders’ drawings and watercolours, tracing her artistic development. It will also show Praxitella, loaned from Leeds Art Gallery, alongside the X-ray and partial colour reconstruction of Atlantic City.

Finally, one has to ask why men deliberately destroy the work of women? From my perspective, social justice demands that the layers of paint constituting Praxitella must be removed, to allow Atlantic City to reemerge. Criminal actions cannot be allowed to triumph over legitimate actions.

Back to Elizebeth Friedman.

This post originally started at some forgotten point in 2020, It was based on one simple question. Why is Alan Turing (1912-1954) remembered as a cryptanalyst, but not Elizebeth Friedman? Of course, Elizebeth was not the first cryptanalyst. The first known recorded explanation of cryptanalysis was given over 1 100 years earlier by Al-Kindi (c. 801–873).

Other important women cryptanalysts include Aggie Mayer Driscoll (1889-1971) and Joan Clarke (1917-1996).

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Extreme Heat Belt

The counties marked in red are expected to experience temperatures of 125 °F = 51.67 °C at least one day a year, by 2053. This area is referred to by some as the Extreme Heat Belt. Screenshot of an Axios map, without the underlying data provided at the county level by the First Street Foundation.

The mission statement of the First Street Foundation reads: Make climate risk accessible, easy to understand and actionable for individuals, governments, and industry. A changing climate is impacting the risks facing American properties, communities, and businesses as perils like flood, fire, heat, and drought become more common, and more severe…. First Street Foundation is a non-profit research and technology group dedicated to quantifying and communicating those risks by incorporating world class modeling techniques and analysis with the most up to date science available in order to simply, and effectively, inform Americans of their risk today and into the future from all environmental changes.

Extreme heat refers to a maximum heat index greater than 125°F. This refers to a temperature reached at least one day a year. Currently (that is, in 2022) 8 million Americans are exposed to it. By 2030, some additional coastal areas in the Southeast and Mid-Atlantic may also experience a heat index at or above 125°F. By 2053, the number of people exposed to extreme temperatures, is expected to increase to 107 million people.

Dangerous days have a heat index greater than 100 °F = 37.78 °C. The Gulf Coast and Southeast will see the highest chances and longest duration of exposure to these. While many place experience more than 20 consecutive days with heat indices above 100°F, by 2053, these streaks could involve up to 74 consecutive days.

Local hot days are days that exceed the temperatures typically experienced for a particular area. The West will have the highest chance of long durations of these.

Future cooling-driven increases in carbon emissions could aggravate warming further. Texas, Florida, California, Ohio and Missouri are the top 5 states with the greatest cooling demand expected increase in CO2 emissions between 2022 and 2053.

As a missionary for SI, the international system of units, temperature always presents a quandary. In this official system, temperature is measured in kelvin, with symbol K. Both the kelvin and celsius systems use a 100 K/ °C difference between the freezing and boiling point of water, at a standard/ sea-level air pressure reading.

0 K is set to absolute zero, which is -273.15 °C, while 0 °C, in the celsius system, is set to the freezing point of water. In the Fahrenheit system, water freezes at 32 °F = 0 °C and boils at 212 °F = 100 °C, resulting in a 180 °F difference between these two points.. Thus, 125 °F = 324.8167 K.

SI clergy undoubtedly use many nights, sleeplessly pondering if the extreme heat value should be increased to 325 K = 125.33 °F, or if 50 °C = 122 °F, should be used. Those prioritizing as little change as possible will support the former. Those wanting to use rounder values, ending in 0, will opt for the latter. The reason for this proposal is that the world needs a mechanism to compare extreme heat locations, which will require heat to be expressed in degrees celsius. This is why, personally, 50 °C holds greater appeal, even if more locations in the world will fall into that category.

Those wishing to be further perplexed by this topic, are invited to read the Wikipedia article on thermodynamic temperature. In an imperfect world, every gram of improved understanding is worth the effort.