2023-07-18 marks the 90th anniversary of the birth in 1933 of Raymond Murray Schafer, in Sarnia, Ontario. He died 2021-08-14 from complications of Alzheimer’s at his house near Peterborough, Ontario. Since 2010, that date celebrates World Listening Day.
Schafer is especially noted for his World Soundscape Project, developed at Simon Fraser University, in Burnaby, British Columbia, which laid the fundamental ideas and practices of acoustic ecology in the 1970s. He started in the Centre for Communication in the Arts, originally part of the Faculty of Education, at the university when it opened in 1965-09 and remained there until 1975, although the Centre had become part of the Faculty of Arts.
One of the reasons for Schafer developing the field of acoustic ecology was that the university was still a gigantic construction project, producing extreme quantities of noise, in addition to some buildings. At one point, Schafer joined a noise abatement society. In his memoirs, he describes the 1960s as the noisiest decade on record.
Schafer coined the term schizophonia in 1969, defined as the splitting of a sound from its source or the condition caused by this split: “We have split the sound from the maker of the sound. Sounds have been torn from their natural sockets and given an amplified and independent existence. Vocal sound, for instance, is no longer tied to a hole in the head but is free to issue from anywhere in the landscape.”
World Listening Day was established in 2010 to promote active listening, not only to natural sounds but also to the sounds of cities, communities and personal experiences. Most years, the day has a specific theme tied to it. Reader’s of this weblog, may recall a post about American composer Pauline Oliveros. The 2017 theme was dedicated to her, titled Listening to the Ground: “Sometimes we walk on the ground, sometimes on sidewalks or asphalt, or other surfaces. Can we find ground to walk on and can we listen for the sound or sounds of ground? Are we losing ground? Can we find new ground by listening for it?”
In 2023, instead of a theme, World Listening Day is about engaging with important questions related to listening, ecology, and the future. The questions for 2023 World Listening Day are:
What can we learn from the listening practices of all living beings?
How can we deterritorialize listening practices?
When should we listen more?
Listening is an art that requires attention and patience. The relationship between hearing and listening is complex. Often, hearing is not used effectively. Rather, many sounds are blocked, and people fail to listen to voices, and their messages. On the other hand, many people have hearing impairments that limit their ability to listen.
Two important works written by Schafer are: 1) The Soundscape: Our Sonic Environment and the Tuning of the World (1994) Here, Schafer contends that people suffer from an overabundance of acoustic information. He explores ways to restore the ability to hear nuances of sounds. This book examines the acoustic environment, past and present, and attempts to imagine what it might become; 2) My Life on Earth and Elsewhere (2012) This book traces the author’s life from his earliest memories to the book’s publication. These include scenes from his youth as an aspiring painter, a music student, and a sailor on a Great Lakes freighter. Later, he remembers several years of work and wandering in Europe, where he gained a deeper understanding of sound, and found, especially in Greece, the inspiration for much of the music he would create after his return to Canada.
Do I enjoy travelling? The answer has to be no, especially when it involves class Y (economy) travel in cramped seats on airliners. Once I actually get to a destination things are fine, as long as everything is identical to the way it is in Inderøy. This sentence is being written at precisely the minute I eat breakfast in Norway 09:00. Except, I am in Reykjavik, Iceland, and the time is 07:00. Two hours difference. It must be summer. One hour difference, in winter, because Iceland is smart enough to avoid time changes twice a year.
Travel used to be fun, opening my mind to new experiences and ways of doing things. As I approach another milestone in my life (3/4 of a century in four months) I note how closed I am to appreciating new experiences.
Landscape
On the bus trip from KEF airport to downtown Reykjavik, I wondered how my mental health would survive the trip. The landscape could be described in one word, desolate. I am used to forests and hills and a fjord. I do not think that I would ever choose to move away from those elements. Iceland is largely treeless. I need trees to thrive. Because Iceland is more appreciated for its natural beauty, most people write, photograph, draw and paint the natural landscape. This weblog post is going to be the exception. It is going to concentrate on the low culture of Reykjavik.
Baron’s Hostel
Alasdair and I are stayed for four nights at Baron’s hostel, for the price of staying at a well equipped large, twin bed room with bath at a hotel in Norway, we were offered bunk beds without any opportunity to sit in the room, with a shared bath.
The building itself gives off severe vibrations. It was an orphanage, as well as a medical centre, in a previous incarnation. Today, there are two hostels vying for attention. B47 attracting upmarket hostel users occupies the first to third floors, while Baron’s, occupies the fourth and fifth floors. It attracts other, lesser souls. Asking a 50ish woman from Oregon what she was doing at Baron’s, she quickly answered: slumming. Her answer resonated. We met many others in the same age group, some older: A man with parents in North Vancouver, currently living in Chicago, working on his PhD in creative writing, and heading off to a writing retreat; an American musician; an entire theatre troop from Perth, Australia, with a parody of Dizney; a Polish marketing specialist who explained that the economy was booming in Poland, with the lowest unemployment rates ever.
The artwork at the top of this post, signed by Hugo Forte, dominates the common room of the Baron’s Hostel. This obviously represents the Beatniks of the late 1950s. By the mid 1960s, bell-bottom trousers had replaced the slender ankle trousers.
The Lebowski Bar
The Lebowski Bar is a typical low culture place to eat. The Lebowski (cheeseburger) and the Walker (bacon burger) tasted good. At first I found the music obnoxious, but decided to put that petty concern aside, and to listen to it as if I had chosen it myself. One track, especially, attracted my attention positively. Alasdair, using Shazam, the music discovery app, was able to tell me it was Going Nowhere, by Toma. At the hostel, I was able to listen to it again on YouTube. It was part of an album, Aroma, self-released using the name Tangible Animal Records on 2017-03-31. The day before, 2017-03-30, it had been uploaded onto YouTube by Distrokid. In the 6.25 years/ 75 months/ 2282 days since then, it had been listened to 1 042 times. I became the second subscriber of Toma’s music, and am sure I will listen to their other eight tracks made available. Toma is a four-piece band from Austin, Texas. Band members are: Waldo Wittenmeyer (keyboards/vocals), Jake Hiebert (drums), Neil Byers (bass), and Willy Jay (guitar/vocals).
Museums
The first major museum that we visited was the Reykjavik Maritime Museum. It explained the role of people with ships, especially in modern Iceland, especially with respect to fishing.
There are so many museums in the Reykjavik area, that we could not afford the time to visit all of them. One of the first not visited, was the Museum of Icelandic Punk/ Pünk/ Punx. Asked what distinguishes this type of music from Rock, I was forced to invent a suitable answer: There is no difference musically, for both encompass a wide range. It is an ethos rather than an aesthetic. Despite this, a notable feature of Punk musicians is their clothing/ fashion/ uniforms that in some way show a disregard for social conventions. It was exemplified by the Sex Pistols lead singer, Johnny Rotten (born John Lydon, 1956 – ), who wore safety pins as earrings. Yet, the safety pins were not merely decorative, they codified punk, but were also practical, holding together clothing including Elizabeth Hurley’s (1965 – ) THAT dress in 1994, and to affix patches to the backs of jackets since the mid 1970s.
Religion
One may wonder why Hallgrim’s Church, a landmark in Reykjavik, is included in low culture. The petty reason is that its height of 74.5 m was not chosen for design purposes, or even the glorification of God, but to ensure that this parish church was taller than Landakot’s Church, the Catholic Cathedral in Iceland. Construction of the church was a slow process. It took 41 years from 1945 to 1986 for it to be constructed. The crypt beneath the choir was consecrated in 1948, the steeple and wings were completed in 1974, and the nave – used by ordinary parishioners – was consecrated in 1986.
The same day we visited Hallgrim’s Church, we also visited The Grand Mosque of Iceland, a more modest building, open to the public, but not attempting to profit from visitors. The visit was a much more rewarding and spiritual experience.
Clan MacDonald’s Detroit Representative, fashionista, melophile, nephew Brad (1981 – ) sent me a message, “Whenever I need a laugh or a trip back to 2001, I listen to Rock and Roll McDonald’s. I’m not sure if you’ve heard of this gent. Unorthodox lyrical style.” The gent was Wesley Willis (1963 – 2003).
I replied, “Thank you, Brad. That was a refreshing change, even if I did consider commenting about Wesley’s need for Autotune. I will come back to him when I start writing about musical content, rather than its outer form.”
Listen to Wesley’s music, and you will understand why most singers do not need to spend money on an expensive microphone, such as a Shure SM7B. Indeed, Julian Krause, my go-to specialist on audio equipment has compared this Shure microphone with a cheap Behringer XM8500.
At my favourite Norwegian online music store, the prices for the two microphones on 2023-06-19 were NOK 4 597 (Shure) and NOK 279 (Behringer). This makes the Shure more than 16 times more expensive.
The Behringer can deliver almost the same results as a Shure, provided that the microphone is suitably placed to compensate for a lack of a built-in pop filter, and a graphic equalizer (or equivalent) compensates frequency deviations, as shown in the following table. These adjustments could take about one minute.
10.4 kHz
-6 dB
5.0 Q
6.4 kHz
-5 dB
5.0 Q
2.7 kHz
-3 dB
1.3 Q
220 Hz
-3.5 dB
0.7 Q
80 Hz
+3.5 dB
2.0 Q
Frequency compensation table for a Behringer XM8500 microphone. Data provided by Julian Krause.
Of course, the cheapest microphone is one that has already been purchased. I have a Røde NT-1, that is more than adequate for my purposes. However, I may acquire a second microphone for backup. It is cheap insurance. It could be a Behringer. Another theoretical, but unlikely, approach is to allow myself to appear impressed by the equipment of some random acquaintance who has upgraded to a better microphone than s/ he can actually use. I will then offer to buy their old mic for NOK 100. Garage sales are another opportunity.
There are exceptions to buying cheap. Sometimes, weirdness is a good reason to buy something different, even if it is a bit more expensive. This is acceptable, if the reason one is buying it, is to have fun and not to impress others. People who have been economically deprived develop frugal habits, and are seldom tempted by wasteful consumption.
Conclusion: In most situations, people do not need to invest in the best or even good audio equipment. Impress family and friends with frugality. Make do with equipment that is good enough, but still fun.
This post was inspired by a close reading of Ray Wilson, Make: Analog Synthesizers (2013). A close reading is not the same as a great appreciation. The initial problem with the book is that it is a vehicle to promote Ray’s day job, the production and sale of Music From Outer Space (MFOS) analogue synthesizer kits. Another problem is that the author/ editors confuse slang and humour with an ability to make a text easy to understand. They do not. For people who have English as a second language, these two components add confusion. The book is described as a hands-on dive into the tools, techniques, and information needed for making an analogue synthesizer. Hopefully, this information will be unnecessary for anyone with experience in building synthesizers, so it is only suitable for people lacking this experience.
Some of the negative vibes about Wilson’s project come from his reuse of the company/ product name. Leonard Nimoy Presents Mr. Spock’s Music from Outer Space, the debut album of Leonard Nimoy (1931 – 2015), was recorded in character as Mr. Spock from Star Trek, and released 1967-06.
Much of the book assumes that the interested reader is building an analogue synthesizer from a MFOS Noise Toaster kit. No other kit or project will do. It is that specific. Earlier parts of the book are useful in explaining the differences between analogue and digital synthesizers (and then forgetting about digital synthesizers), the building blocks incorporated into an analogue synthesizer, including voltage-controlled oscillators (VCOs), filters (VCFs) and amplifiers (VCAs) as well as low frequency oscillators (LFOs). There are suggestions about making a workshop suitable for synthesizer production. Some of these suggestions are useful, especially those about modifying equipment to make it more suited in a low cost workspace. Some of the foundation circuits for amplification, biasing, and signal mixing are also useful, as is much of the information about setting up and using a budget electronic music studio.
MFOS’s description of the Noise Toaster even lists the following features (orthography in the original): WILL attract alien visitations – CAUTION ADVISED; WILL DEFINITELY cut into TV viewing time – CAUTION ADVISED; Stimulates plant growth and calms goldfish. While the kit is described as lo-fi, it has a price tag that is excessive for that category: US$ 209 = € 187 = NOK 1793, at the time of writing. Periodic checks indicate that this kit is permanently out of stock.
In the weblog post Tech Ed some helpful, electronic textbooks are discussed. One book that was not mentioned was Forrest M. Mims III, Getting started in electronics. It began life in 1983, but the edition I have, from Master Publishing, is dated 2003. This is a good introductory book, if somewhat dated, that many people will prefer to, say, Harry Kybett and Earl Boysen, All New Electronics Self-Teaching Guide, 3rd edition (2008), or later books based on this.
My advice to a prospective 16-year old synthesizer builder is to begin by reading, and working with the Mims textbook, then go on to Kybett and Boysen. With sufficient theoretical knowledge in place, a Eurorack synth component can be made.
Rather than MFOS, my preference for a starter kit involves open-source Erica EDU DIY Eurorack projects. Erica Synths was founded in Latvia in 2014 by Girts Ozolinš. Originally, these Synths used Soviet parts. That time has passed, mostly. Erica Synths discontinues its legacy DIY eurorack projects, but decided to make them open-source. They made slight changes to module design to eliminate custom/ rare components. However, this was an imperfect process, as some modules still require relatively uncommon ICs. It is claimed that these can be sourced from Erica Synths. Then they created a folder for each project, with Gerber files for printed circuit boards (PCB) and front panels, and complete information/ files to build a module: schematics, including bills of materials (BOM), component placement with values and designators, and assembly manuals. Note: some manuals are designed for older module versions. Open source allows them to be available for personal, educational and/or commercial purposes.
Gerber is an open ASCII vector format, and de facto standard, for PCB designs, including copper layers, solder masks, drilled holes and printed data.
An almost unpronounceable brand name, mki x es.edu, is a joint effort between Erica Synths and YouTube presenter Moritz Klein. It claims that its goal is to teach people with little-to-no prior experience how to design analog synthesizer circuits from scratch. Design is the key word in that statement that they want to emphasize. The components in the kit box are not simply meant to be soldered together and then disappear inside a rack. Instead, they claim that they want to take the constructor through the circuit design process step by step, explaining every decision and how it impacts the finished module. A related, but cheaper, approach is to download the manuals, study them, and then decide if one wants to purchase kits.
Starting at 2021-12-28, they are in the process of offering new kits at the rate of one every four to six weeks. A total of 9 kits are planned. When completed this results in a fully-featured modular monosynth: 1) a sequencer, 2) a VCO at €60, 3) a wavefolder (used to shape soundwaves), 4) a noise/ sample and hold (S&H) module, 5) a mixer, 6) a VCF, 7) an envelope generator (EG) at €55, 8) a dual VCA unit at €55, and 9) an output stereo mixer with a headphone amplifier. In addition, a eurorack case with a DIY power supply unit (PSU) is available at €110. Even if a complete kit costs about €700, it should offer greater value for money than a MFOS Noise Toaster!
Kits have a 40+ page user manual that can be downloaded separately, and in advance of any purchase. These provide information about the electronics behind each circuit, also the fundamental principles of sound synthesis. We hope that the project will inspire future engineers and will contribute to the ever-growing diversity of electronic music technology.
The advantage of a Eurorack component, is that it allows one to start with a very simple project that is only part of a functional synth. One can build up construction experience gradually. One can also mix and match components from several manufacturers, or make them.
If one is determined to follow the Wilson trajectory, arrange a conditional sale of a finished MFOS kit-build of a Noise Toaster at cost, at the same time one is reading the Wilson book, and building the kit. The reason for this approach is that once the Noise Toaster is built and sold, the builder is free to decide if s/he wants to build another synthesizer and, if so, the type – without being constrained by the ownership of an existing kit.
My suspicion is that kit builder are seldom content with the simple, but want to construct more complex design. However, a word of caution may be needed. I remember hearing from someone that only the third (or later) iteration of a project actually results in a usable product. The first iteration is overly simple, because one is in the process of developing one’s skills. The second one is overly complex, because with the success of the first project, the constructor is open to anything and everything. The third iteration, involves moderation.
The KLF was founded in London, England in 1987 by Scottish – but South Africa born – Bill Drummond (1953 – , aka King Boy D) and English Jimmy Cauty (1956 – , aka Rockman Rock). They began by releasing hip hop-inspired and sample-heavy records. Like many musicians of the 20th century that I appreciate, Bill Drummond was educated at a third class art institution, the University of Northampton, Art and Design Academy.
An art school education allows people to develop themselves as personas with particular characteristics. In this case, it allowed the KLF to adopt the philosophy presented in The Illuminatus! Trilogy (1975). Often regarded as a cult success, it was written by Robert Shea (1933 – 1994) and Robert Anton Wilson (1932 – 2007). It could be described as a satirical, postmodern, science fiction–influenced adventure with drug-, sex-, and magic-laden components, heavily dependent on conspiracies, both real and imagined.
Should one want to appreciate the KLF in terms of content, there is only one significant album: The White Room (1991), initially recorded in 1989. There are four important tracks: 1) What Time is Love; 3) 3 a.m. Eternal; 5) Last Train to Trancentral; and, 9) Justified and Ancient. Don’t bother just listening to the music, watch the videos, for it is the videos that put the music in context. The videos are not a musical performance. They are theatre.
Drummond and Cauty also practised guerrilla communication, “illegal but effective use of graffiti on billboards and public buildings [in which] the original meaning of the advert would be totally subverted”. Another part of this guerrilla communication involved the alleged burning of £1 million in a hut on Jura, Scotland.
John Higgs (1971 -) writes in The KLF: Chaos, Magic and the Band who Burned a Million Pounds (2013) that: A simplified description of their partnership would portray Cauty as the musician and Drummond as the strategist, but this view doesn’t hold up to scrutiny. All of the products of their partnership, whether musical or otherwise, came out of mutual agreement. Cauty is just as capable of burning stuff as Drummond…. Cauty is practical and above all curious, quick to get his hands dirty, experiment and see what happens. He is a catalyst.
My own personal interest in the KLF, apart from their theatrical performance, is their instrumentation. The instruments that appear on stage (or in videos) are not necessarily the instruments that are used to produce the music, they are props.
Early KLF music was performed using an Apple II computer equipped with a Greengate DS3 sampler peripheral card, and a Roland TR-808 drum machine. Later, an Akai S900 sampler and Atari ST computers were used.
Singles in 1990–1992 were mixed by Mark “Spike” Stent (1965 – ) using a Solid State Logic (SSL) automated mixing desk. SSL is referenced in the subtitle of 3 a.m. Eternal (Live at the S.S.L.).
Later, an Oberheim OB-8 analogue synthesiser was used. Drummond sometimes plays a Gibson ES-330 semi-acoustic guitar, and Cauty plays an uspecified electric guitar. A Roland TB-303 bassline and Roland TR-909 drum machine are also used.
Some of the musicians involved on the four highlighted tracks.
What Time is Love Backing Vocals [“Mu Mu’s”] Katie Kisson, P.P. Arnold; [“Ooohs”] Cressida, Lindz. E. Love; Keyboards [303 Acid Factor] Major Malfunktion; [808’s & 909’s] Manda Beatmaster; Mixed by Stent; Performer [Breaks] Lenny Dee, Tony Thorpe; Rap Isaac Bello; Vocals [“I Wanna See You Sweat”] Wanda Dee; Written by Drummond, I. Bello, Cauty, L. McFarland.
3 A.M. Eternal (Live At The S.S.L.) Backing Vocals: Ian Richardson, Micky Wilson; [“Are You Ready?”], [“Here We Go”] Ashanti; [“KLF Aha Aha”] P.P. Arnold; Clarinet: Duy Khiem; Keyboards, Backing Vocals: Nick Coler; Mixed by Stent; Performer [Breaks] Tony Thorpe; Rap Ricardo; Vocals Maxine Harvey; Written by Drummond, Cauty, R. Lyte.
Last Train To Trancentral (Live From The Lost Continent) Backing Vocals [“All Aboard, All Aboard”] Black Steel; [“Come On Boy D’ya Wanna Ride?”] Wanda Dee; [“KLF” & “Mu Mu”] P.P. Arnold; [“Lie Down On The Floor & Keep Calm”] John Dillinger; [“Woo Woo”] Emma Burnham; [Wild Yelps] Cressida; Keyboards Nick Coler; Mixed by Stent; Performer [Breaks] – Tony Thorpe; Rap [“This Is What KLF Is About…” & “Back To The Heavyweight Jam”] Ricardo; Written by Drummond, Cauty, L. McFarland, R. Lyte.
Justified and Ancient (Stand by the JAMs): Backing Vocals [Lead Chorus Vocals] – Maxine Harvey; Lead Vocals – Tammy Wynette; Mixed by Stent; Pedal Steel Guitar – Rusty Pence; Written by Drummond, Cauty.
Grey
One major criticism that can be levelled against many musicians today, is that they fail to clothe themselves with a consistent perspective/ world view. Rather, they jump back and forth without any apparent reason or explanation. Each track/ song is a universe unto itself. Listeners are expected, somehow, to migrate from song to song, which is more correctly a passage from world to world. Since the music of the KLF is encapsulated in its own world, there is an understandable transition between tracks. Beyond this, the music is concerned with ceremonies and journeys, which can be seen particularly well, with respect to a hero.
Joseph Campbell (1904 – 1987) deconstructs the monomyth in The Hero with a Thousand Faces (1949): A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons [= timely benefits] on his fellow man.
Black
The blackness of the KLF is the chaos that envelops it. This chaos was documented by Andrew Harrison (1960s – ). Return of the KLF: ‘They were agents of chaos. Now the world they anticipated is here’ (2017-04-27). It was published, just as the inexplicable happened. The music of the KLF, possibly the Kopyright Liberation Front, was re-released.
Long before there was the KLF, even before The Illuminatus! Trilogy, the origins of this blackness can be found in Principia Discordia (1963), written by Malaclypse the Younger = Gregory Hill (1941 – 2000) and Omar Khayyam Ravenhurst = Kerry Wendell Thornley (1938 – 1998). They invented Discordianism, variously referred to as a religion/ philosophy/ paradigm centered on Eris, a goddess of chaos.
Discordianism accepts that order and disorder are illusions, a product of the human nervous system that imposes itself on the universe. Neither order nor disorder is more real than the other. Many feel that Discordianism should be regarded as a parody of religion.
The role of the KLF was to operationalize discordianism. Operationalizing transforms a fuzzy concept into something understandable. It exemplifies the concept, and by doing so extends it into something real and, potentially, measurable.
The Black Room was also the name of a never-completed album intended to follow The White Room. First, it was to be hardcore-techno, then electro-metal, before a thrash-metal collaboration with Extreme Noise Terror emerged, then faded.
Blink
According to Stuart Semple (1980 – ), Blink is the darkest black, even darker than Vantablack. This is neither the time nor place to discuss the cultural nastiness that has emerged with these claims about blackness, but there is an article that attempts to explain them.
In the KLF universe, the equivalent of Blink is the video, Who Killed The KLF? (2021), made by Chris Atkins (1976 – ), who also provided insights into it in a Guardian article, Prison, lawsuits and a glovebox of fake cash: the film the KLF didn’t want you to see (2022-04-08). As many expected, £1 million burned in that hut on Jura, was all fake. In fact, almost everything about the KLF was fake.
Orange update 2022-12-22
Somehow, some five years before writing this update, Build a Fire was uploaded onto YouTube by A.M.V. @ MaxiMadridVideos. I managed to hear it for the first time, two days before writing this update.
Build a Fire constitutes a fifth track from the White Room album that can be classified as important, a euphemism referring to a musical track accompanied by a video. Build a Fire appears as track 7 on the unreleased Tunes from the White Room (TftWR, 1989) and the 1991 released North American album (WRNA). It is track 6 on the 1991 general album release (WRGR), and the 2021 Director’s Cut (WRDC).
Investigating this Spanish YouTube channel more closely, I find there is yet another KLF video that is even more difficult to describe. It is titled, No More Tears, and lasts 8m18s. Accompanying the video are two songs. Song #1 = From North Druid to Atlanta. North Druid is a mountain about 13 km north of Atlanta, Georgia. It can be found using this title, as track #6 on Come Down Dawn: Brooklyn to Mexico City 1990, Original duration: 9m50s. This work is a 2021 reissue of the studio album Chill Out (1990) released to streaming services on 2021-02-04 under their alias The Justified Ancients of Mu Mu. This was the second in a series of six official compilations Samplecity thru Trancentral. Content on Chill Out/ Come Down Dawn originates from a 43-hour road trip in 1990, from the Reverend Doctor Wade’s tabernacle in Brooklyn to the Mesoamerican Pyramids near Mexico City in a 1968 Ford Galaxie, a repurposed American police car. The authenticity of this statement can be doubted, when one is presented with a Spanish, rather than North American, landscape.
On Chill Out (1990), this track is listed as track #8, 3 a.m. Somewhere Out of Beaumont. It lasts 3m36s.
Song #2 is, No More Tears, appearing as track #6 on TftWR, #9 on WRNA, #8 on WRGR, and #8 on WRDC. It does not appear on Chill Out or on Come Down Dawn.
While truthiness may not be the KLF’s strong point, the British monthly magazine, Record Collector, compared The KLF’s production method to that of established electronic musicians: “While electronic dinosaurs like Jean Michel Jarre [(1948 – ), noted for a series of works, all titled Oxygen] and Klaus Schulze [(1947-2022), member of Tangerine Dream, Ash Ra Tempel and The Cosmic Jokers, before starting a solo career] were walling themselves in with banks and banks of synthesizers, computers and electronic gadgetry, the KLF were doing the opposite—making a crafted work like Chill Out with the bare necessities of musical survival.”
A.M.V. describes Build a Fire as: Filmed Sierra Nevada de España. An instrumental version of the unreleased original 1989 soundtrack version of Build A Fire. Restored & Dedicated To Our Ancient Friend John Milne. Unreleased Recording.
A.M.V.’s cryptic notes for No More Tears read: Intro: North Druid Hills to Atlanta – KLF (1991) Lyricist: Bill Drummond (1991) Composer: Bill Drummond Lyricist: Jimmy Cauty Composer: Jimmy Cauty Unreleased Recording NOT FOR SALE OR RESALE Matrix/Runout: SAMP 1684 AB(SAME ON B SIDE)Provided to YouTube by Domino North Druid Hills to Atlanta · The KLF · The Justified Ancients of Mu Mu Come Down Dawn ℗ KLF Communications Matrix/runout (A-side runout): 656674-1 1 02 P1991 Matrix/runout (B-side runout): 656674-1 2 01 P1991 Producer: The Justified Ancients of Mu Mu Mixer: The Justified Ancients of Mu Mu Music Publisher: Universal Music Publishing Music Publisher: Warner Chappell Music Lyricist: Bill Drummond Composer: Bill Drummond Lyricist: Jimmy Cauty Composer: Jimmy Cauty #KLF#BillDrummond#JimmyCauty.
I refer to this update as orange, reflecting the burning fire in the first video, and the sunrise/ sunset content in the second video.
For now, orange could be just a temporary pause of the KLF time machine. If nothing else, the KLF are unpredictable. Graduates of third-rate art schools have one advantage over those attending more illustrious institutions, nobody expects anything of them!
Today, 2023-06-17 = 17 June 2023, is the 30th anniversary of the International Surfing Day. It is held annually on the third Saturday of June. It is yet another unofficial holiday, that some environmentally conscious, sports-centered fanatics find worthy of celebrating because of an interest in surfing as a sport, as a lifestyle, as a musical genre, or simply as a manifestation of the sustainability of ocean resources. The day is the spiritual successor of World Surf Day, started by the Usenet newsgroup alt.surfing in 1993.
I attempted to read a short, online history of surfing. It was problematic. Apparently, somewhere in Polynesia there is a cave where, in the 12th century, someone painted a person on a surfboard. The location was not specified. It could be anywhere, but I suspect it exists only in the imagination of the writer. By the year given, the Polynesians had colonized Hawaii (AD 900), Rapa Nui = Easter Island (AD 900) as well as Aotearoa = New Zealand (AD 1200), if one is not too concerned about the difference between 12th century and AD 1200. Polynesia consists of about 300 – 310 000 square kilometers of land, of which New Zealand contributes 270 000 square kilometers. It is surrounded by vast quantities of ocean. How much? I have not been able to determine that metric.
If one traces the linguistic origins of Polynesia far enough back in time, one ends up in Taiwan.
Despite various forms of evidence (linguistic, historic as well as genetic), some pseudo-scientists want to invent their own histories. Such is the case with Thor Heyerdahl (1914 – 2002). He proposed, in the mid-20th century, that the Polynesians had migrated in two waves: one by Native Americans from the northwest coast of Canada by large whale-hunting dugouts; and the other from South America on balsa-log rafts. The Kon-Tiki expedition set out to prove the possibility.
The history of Polynesia is not the same as the history of surfing. Today is not Polynesia day, but surfing day. The list below contains some names of individuals associated with surfing culture in its various forms.
Duke Paoa Kahinu Mokoe Hulikohola Kahanamoku (1890 – 1968): enthusiastic surfer, who also founded the multiracial Hui Nalu Club (Club of Waves) at Waikīkī Beach.
Hugh Bradner (1915 – 2008): inventor of the neoprene wetsuit, which revolutionized surfing (and scuba diving).
William Asher (1921 – 2012): director of Beach Party (1963), a film that shows antropologist Robert Orville Sutwell (Bob Cummings, 1910 – 1990) secretly studying the wild mating habits of Southern California teenagers who hang out at the beach and speak in strange surfing-jargon.
Dick Dale (born, Richard Anthony Monsour; 1937 – 2019): guitarist, who composed the ultimate surf song, Misirlou (1962).
Bruce Brown ( 1937 – 2017): American documentary film director, known as an early pioneer of the surf film, who made The Endless Summer (1964).
Rennie Ellis (1940 – 2003): Australian surf photographer, photo agency and gallery owner and publisher of 17 photography books.
Annette Funicello (1942 – 2013): actress, mouseketeer, particularly appreciated for her role as Dee Dee in How to Stuff a Wild Bikini (1965).
William Finnegan (1952 – ): author of Barbarian Days: A Surfing LIfe (2015), often described as a memoir of an obsession.
Joni Sternbach (1953 – ): large-format camera photographer using early photographic processes, including tintype and collodion. She takes an ethnographic approach to produce in situ portraits of women surfers and surf culture. Many of these were published in Surfland (2009).
Selema Masekela (1971 – ): enthusiastic promoter of AfroSurf (2021) a book with 200 photos, 50 essays, surfer profiles, thought pieces, poems, playlists, illustrations, ephemera, recipes, and a mini comic, intended to capture the diversity and character of the African surf. The book’s author is stated as Mami Wata, which could refer to 1) a central African water spirit; 2) a 2023 film by C. J. Fiery Obasi, about that water spirit; 3) a South African surf supply company.
Maya Reis Gabeira (1987 – ): Brazilian big wave surfer, with a world record for having surfed a 22.4 m (73 ft) high wave in Nazaré, Portugal on 2022-02-11 = 11 February 2022, the biggest wave ever surfed by a woman.
Carissa Moore (1992 – ): Hawaiian American Olympian, world champion surfer and activist.
My own interest in surfing relates to surf photography and surf culture.
I use the expression, democracy tax to indicate a willingness to pay more for goods and services that are made in democratically governed countries, as opposed to paying less for equivalent goods from countries that are more autocratic. Despite its shortcomings, I generally use the latest Democracy Index, as provided by the Economist Intelligence Unit (EIU), to determine a country’s relative placement.
The countries where I have the greatest emotional attachment had the following rankings on the first EIU Democracy Index, made in 2006: Norway (4), Canada (9), Ireland (11) and USA (17), listed in ranked order. In 2021, the ranks were: Norway (1), Ireland (7), Canada (12) and USA (26). Our nuclear family of two parents and two adult children are all citizens of Canada. My wife and children are citizens of Ireland. All but one child are citizens and residents of Norway. That one child lives in USA, along with numerous other relatives.
Countries where I also have some emotional attachment include other Nordic countries (ranked 1, 2, 5 & 6 in 2006, but 3 – 6 in 2021). This ranking pattern of 2006 followed by 2021 continues below. In addition, I attempt to support other democratic countries economically, where this is possible. These countries include many members of the European Union and Switzerland (10 – 9). In Latin America I am especially impressed with Uruguay (27 – 13) and Costa Rica (25 – 20). In Austral-Asia, New Zealand (11 – 2), Taiwan (32 – 8), Australia (8 – 9), South Korea (31 – 16) and Japan (20 – 17) are to be praised. In sub-Saharan Africa, I attempt to give theoretical support to Mauritius (25 – 19). Yes, Mauritius and Costa Rica were tied in 2006, as were Ireland and New Zealand.
Ranking for some of the larger European Union countries: Germany (13 – 15), France (24 – 22), and Italy (34 -31).
If countries should be mentioned where I feel an emotional detachment, not because of the people themselves, but because of their political systems: United Kingdom (23 – 18) for leaving the European Union, Russia (102 – 124) for its invasion of Ukraine, and China (138 – 148) for its oppression of Hong Kong, and threats against Taiwan. Note, figures presented were from 2021 before the latest, 2022-02-24, Russian invasion of Ukraine.
Since the Russian invasion, I have attempted to prioritize purchases from the most democratic countries, and to avoid the least democratic.
A democracy tax is voluntary. In many cases, there are few if no choices available. Such is the case in Norway about food stuffs. Many of these are produced by agricultural cooperatives in Norway. Unfortunately, Norway is incapable of supplying all of its nutritional needs. So products are imported into Norway by the major grocery wholesalers. Admittedly, in some areas it is easier to exercise one’s ability to choose where something is made, than others. Below are examples of attempting to pay the democracy tax on a big-ticket item, and smaller-ticket items often related, specifically, to computing in its various forms.
Big-ticket items
Our first application of the democracy tax was with respect to ordering a new electric vehicle. We decided to exclude cars from China, but to consider cars from France, Germany, Italy and South Korea. A Volkswagen ID.Buzz was ordered on 2022-05-23, and delivered on 2023-02-13.
There are cheaper EVs than the Buzz. There is also conjecture that next year’s EV will be cheaper this this year’s. Yet, as old people we felt we could not put off buying a new vehicle indefinitely. Similarly, it was announced that features we might appreciate would be coming after the initial release. These included four-wheel drive, and removable rear seats. We decided we could live without them, and accept something simple.
Smaller-ticket items
The residential charger we installed for our EV cost about 5% of the cost of the EV itself. It is possible to save money buying a charger from a less democratic part of the world. However, with about 2/3 of the price related to installation, this would not save much money. We opted to buy one that was made in Norway, the Easee Home. We also opted to increase the length of wiring needed so that we could park the car as we have done for the past thirty-four years.
We decided to buy Asus Zenfone 9 hand-held devices (cell phones), with 16 GB RAM and 256 GB of storage. Asus equipment is typically designed in Taiwan, but made in China. These were purchased in 2022-09 to replace a Chinese designed and made Xiaomi Pocophone F1 purchased in 2018-12. Because hand-held devices control so much of a vehicle’s functions, we decided we wanted to have phones purchased before the arrival of our new EV, even though the Pocophones probably could have lasted an additional year or two. One irritation with the Pocophones was the almost continuous request for tracking permissions, that had been previously denied. While the Zenfones cost over twice the price of the Pocophones, they still cost less than equivalent phones that our children buy. In the eight months of ownership, we have not had a single tracking request.
There are two types of keyboards, ANSI – used in USA, and ISO – used mainly in Europe.
I use ISO, not ANSI. Yet, when I bought a laptop in 2019, I had not thought about that important fact, and ended up buying an Asus Vivobook with an ANSI keyboard. That choice was regretted almost every day. Thus, when Trish’s machine was over seven years old, I allowed myself the luxury of buying us both new laptops, with ISO keyboards, despite the fact that my laptop was only three years old.
Originally, I expected to buy Asus Zenbooks, like Trish’s older machine. However, it appears that Asus is only offering ANSI keyboards with their laptop machines. We ended up with Acer Swift 3 machines, which – because of their inferior screen technology – cost considerably less than a Zenbook. Both Asus and Acer machines are typically designed in Taiwan, but made in China.
I also use a desktop machine, in addition to a laptop. This requires the use of additional equipment. For a long time I avoided buying an ergonomic mouse and keyboard, despite their advantages. Most are expensive, and I didn’t think they were worth the price, despite an official diagnosis of osteoarthritis in a large number of joints in my hands. By 2021, I had changed my mind, transitioning from a Logitech M535 mouse and a K380 keyboard to a more ergonomic Logitech MX Vertical mouse and a K860 Ergo keyboard. Because of vision issues, I also purchased a better monitor/ screen/ display made by AOC. Logitech is a Swiss company. AOC is a Taiwanese company.
Not all of our capital expenditures are related to computing. More recently, the local yarn shop closed down. Patricia decided that she could afford to buy about five years worth of supplies, at half price. Here, she was able to purchase Norwegian brands. Yet, one wants to ask how much of these use Norwegian wool exclusively?
For some months I have been concerned about the inability to adjust my Ryobi mitre saw to compensate for cutting deviations I experienced. My solution was to buy a smaller, but more accurate Bosch mitre saw that will meet my needs. Previously, I had replaced a Scheppach table saw with a Bosch table saw, and am considering just one further replacement, a Coop brand track saw with yet another Bosch model. I have discovered that Bosch provides the product quality I need and appreciate. I also discovered that these products are made in China.
Reducing the democracy tax
There are ways to reduce the democracy tax. With retirement at the end of 2016, 2017-01-01 marked the beginning of a new era, with a (partial) set of new values. Our pensions were set at 60% of our final employment earnings. Since then they have been reduced by 0.75% per year. For us, there have never been any issues about living within our means. We have managed to save money every year of our retirement. We are not overspending, in terms of our income. However, I did look at ways in which I could save additional money without affecting the quality of our lives.
One of the things I did not want to do was to focus on buying sale items at sale prices. The easiest way to save money on something, is to avoid buying it.
Used equipment
Another way to reduce the democracy tax is to buy used items. Yet, sometimes one spends money and gets little in return. One of the first used items I purchased in my retirement was a Logitech K380 keyboard, on 2020-01-06. This keyboard was my favourite, so I wanted to make sure I had a duplicate in case it wore out. It hasn’t and it probably won’t so this was an unnecessary purchase. The only advantage in purchasing it, is that my two offspring can both inherit one.
A kitchen is not just a place for food storage and preparation, it is also a natural place for the accumulation of nutritional and food preparation information. I bought a used Asus All-in-One (AiO) computer on 2020-10-12 to become the interface for this information. In addition, it could act as a room control unit in the kitchen. One can never be completely certain how technology will be received. The kitchen is designed with an extra 2.5 meters of usable desk/ table top for food preparation purposes. I am intending to use less than 0.5 meters of counter space for the computer, yielding a net gain of 2 meters.
Starting with the pandemic in 2020, and continuing until today, it is no longer possible to buy everything off the shelf. There are major delays. In 2023, instead of buying new Raspberry Pi boards for projects, I am buying used Acer Revo desktop machines, with a minimum of 4 GB RAM, and a 120 GB SSD. Currently, I have 2 x RL70, 1 x RL85 and 1 x RN66 models, and hope to conclude my purchasing spree with a 1 x RN76 model, sometime later this year. These are cheaper, and adequate for all my needs. I have decided to buy one piece of kit a month, for a maximum of NOK 1 000.
The RL70 units are intended to work as combined controllers for both a greenhouse and a weather station. Once the hardware is built the two units will be given away. The software will be kept, and the details published, so that others will be able to use the insights (and code) developed.
The RN models will probably be used as a Windows machine for those programs that fail to operate properly using Linux Wine. Wine is often called a compatibility layer, rather than an emulator. It often works, but sometimes it doesn’t, meaning that it is appropriate to install and use Windows. The programs that fail to work were first developed when Windows XP was the most common operating system. I have a working copy of this that can be installed. In addition, I have a working copy of Windows 7, should it be needed. In both cases, the computer will be operated without any connection to the internet.
The RN76 will probably run a library program, and a slide digitization program. The RN66 will probably run a CNC machine in the workshop. Note: the workshop is being transitioned away from being a place to support building construction, to a fabrication centre. The first step was to replace the Ryobi EMS254L mitre saw, with a Tesaker CNC milling machine. A smaller Bosch GCM 8SJL mitre saw has been purchased that can be used on location.
In 2023-05, I discovered that Logitech was making at least some of its Nordic keyboards with an ANSI configuration. I found this disturbing. Thus, I decided to buy yet another Logitech ISO keyboard, this time as a Logitech MX keys mini in pink. This was purchased used at approximately half the price of a new equivalent keyboard. I will remind readers that pink was often regarded as a male colour in the 19th century, and even in the 20th century up to the 1920s.
I then read that Logitech would be making an improved version the MX mouse Anywhere 3 to be called the 3S. While this offered technical improvements, it would be more expensive. I decided to buy one using the old technology. It is not always necessary to have the best quality, everywhere. Indeed, I have no intention of using this MX keyboard and mouse immediately. Rather, they are reserve solutions should my current Logitech ergonomic keyboard (K860) and mouse (MX vertical) wear out, or otherwise fail.
Handcrafted
One of the reasons I prefer to make things myself, is that I prefer the simpler look that my projects provide. I prefer the handmade to the elegant.
Downsizing
Even dreams should be downsized. For the past twenty years I have imagined myself using a computer numerical control (CNC) milling machine. It is useful to make all sorts of things. The question is, how big should its bed be? The standard answer is 1 250 x 2 500 mm, which will accommodate 48″ x 96″ sheets of plywood, or their slightly small metric equivalents. Sometimes, the standard answer is not the best answer, for three reasons. First, the mill may be larger than required to make interesting products. Second, it may be too expensive, relative to the benefits it provides. Third, it may not turn out to be as useful as one imagines. Fortunately, a professional CNC machinist in Inderøy had decided to get rid of his student project, a Tesaker CNC milling machine, because he had purchased something larger. So, I was able to acquire this at a fraction of the price of a larger machine. Of course it only has a working surface of 300 x 500 mm, which is more than adequate.
Acceptance
My workshop is a converted single car garage, about 3 x 6 meters with a small annex originally used to store firewood, providing about 20 square meters of space. There are times when I think that it would be better if it were twice the size. As an auxiliary workshop to complement building construction, it has been adequate. It will also be adequate for the manufacturing of smaller objects. But it cannot be both simultaneously. I have had to learn to accept that fact.
This is the situation through much of life. One has to accept that one is born at a particular time in a particular place. Throughout one’s childhood, one’s abilities to make decisions are restricted, notably by parents and teachers. Increasingly, one is able to take greater control over one’s own life, but that control is not total. Various institutions, authorities and other people want a say in what happens, and can exhort pressures to enforce it.
An aspirational digression
Some of the issues involved in a democracy tax, and globalization more generally, can be discovered by looking at the Ever Given, the container ship that decided to shut down the Suez canal from 2021-03-23 to 2021-03-29, but remained within the canal system until 2021-07-07, when it was released after agreeing to pay an estimated US$ 600 million in compensation to the canal authorities. With a displacement of almost 266 Gg, a length of almost 400 m, a beam of almost 60 m, and a draught somewhere between 14.5 (design) and 16 (maximum) m it is Suezmax size, indicating that its dimensions are the largest capable of transiting the Suez Canal in a laden condition. The ship was one of 13 Imabari 20 000 container ships designed and built by Imabari Shipbuilding of Japan, and owned by its subsidiary Shoei Kisen Kaisha. The vessel is registered in Panama, has technical management by Bernhard Schulte Shipmanagement of Germany, is time chartered and operated by Evergreen Marine of Taiwan. The ship was sailing with an Indian crew of 25, led by Krishnan Kanthavel, from the container port at Tanjung Pelepas in Malaysia to Rotterdam in the Netherlands with Felixstowe in England, the next port of call.
In the Suez canal, Kanthavel was nominally in charge, while the vessel was under the effective control of Egyptian pilots. Once the Ever Given arrived at its European ports, the estimated US$1 billion worth of goods onboard in up to 20 124 twenty-foot equivalent units (TEU) containers, would be shipped by ship, rail and truck to a large number of different countries located throughout the European Union, and its former member, the United Kingdom.
The transport of goods involves many corporate participants located in many divergent countries. It is difficult to know how fair any contracts are. For example, the captain of the container ship is responsible for all of its operations, even if the commands are given by pilots. It is difficult to know if the staff onboard a container ship are paid living wages, if taxes are being paid, if the environment is being respected. All we can guess, is that massive profits are being made, transporting goods from some distant point of origin to some other distant destination.
The same lack of detailed knowledge surrounds every item being transported on the ship.
During the pandemic, people have experienced that just-in-time inventory management is not compatible with the world’s current economic disruptions. A democracy tax involves a willingness to pay more to buy something made locally. How local, probably depends on the product. Our eggs and milk come from neighbouring farms, our new car from a slightly more distant European country, our computing equipment originates in an Asian democracy, but are manufactured in China.
People should not expect a market economy to last. It is dependent on having a surplus population that opt to compete with each other. Fertility rates indicate that most developed, democratic countries have fertility rates of about 1.5 births per woman, or lower. This means that countries will have to ensure that vital services, such as basic infrastructural needs, food, health care and education are met, before governments should encourage more competitive activities.
This may also mean that governments may be required to intervene in markets. In 1980s Norway, price controls were still in effect, but they were over by 1990. Some older people, and those with origins in other cultures may have experienced the benefits of rationing, or the detriments of extreme inflationary prices, possibly even famine, if countries chose not to implement rationing.
There is no need for prophetic gifts to understand that there will be limitations placed on market economies. If it has not already started, it will in the near future. In addition to the demographic issues noted in the previous paragraph, there are two other reasons for this. First, two years of supply issues has shown that people want to place restrictions on trade, they want to avoid price gouging, but are willing to pay fair prices. Second, globalization has not yet died, but it is being transported by ambulance to an economic hospital, where it will undergo tests to determine its economic viability.
Notes:
Depending on size, either meters (m) or millimeters (mm) are most often used to specify product length/ width/ height without any further need to specify units. Mass is more difficult to specify. Depending on purpose, some people like: the stone = 14 pounds (lb) = ca. 6.35 kg; the long/ imperial hundredweight (cwt) = 8 stone = 112 lb = ca. 50.8 kg; the long ton = 20 cwt = 160 stone = 2 240 lb = ca. 1 016 kg; the short ton = 2 000 pounds = ca. 907.18 kg; or, the tonne = 1 000 kg = 2 204.6 lb = 1.102 short tons = 0.984 long tons. In the metric system, the kilogram is the base unit of mass. This is ideal in many circumstances, including measuring body mass.
When dealing with heavier objects beyond the range of the kg, there is the megagram (Mg) = 1 000 kg, commonly referred to as a metric tonne (t), which is approximately the same mass as a (non-metric) short ton. Ships are often specified by their tonnage: gross (GT)/ net (NT)/ dead-weight (DWT), or their displacement. Large ships can have their displacement expressed in gigagrams (Gg), which some people would recognize as being thousands of tons/ tonnes.
Americans should get the impression that they are encouraged to start/ continue using metric units! As a Canadian, I started using them in science classes in school starting in the early 1960s, but used them more systematically after 1970. In Norway, I had no option but to use them for almost everything. Exceptions: Boat lengths are measured in feet. Timber, width and thickness were measured in inches, but the Norwegian inch is longer than the imperial inch. It was used to compensate for the shrinkage timber/ lumber would experience between being cut and delivered to England.
With World Goth Day #15 occupied by Bob Metcalfe and the Ethernet, this year’s annual post has been moved to 2023-05-27 to coincide with an even older Goth event, Wave Gotik Treffen (WGT) = Wave Gothic Meet, a music festival that started life in Potsdam in 1987, an illegal event in the Deutsche Demokratische Republik (DDR) = Democratic Republic of Germany aka Ostdeutschland = East Germany.
At WGT, there are two types of goths: purists, who regard 1987 as the starting date of WGT; and resurrectionists, who prefer 1992, when the event was revived in Leipzig in 1992. It has been held in Leipzig ever since.
In my career as a prison teacher, one becomes acutely aware that outsiders, those who live outside of acceptable social norms in a thousand or more different ways, find comfort in something excessive. One of the major appeals of Goth music, and its kindred variants, such as glam metal, is its immaturity. It is an attitude reminiscent of 14-year old girls experimenting with makeup: If a little is good, a lot is better. Why not? It is an experiment. In fact, life is an experiment.
Justin Quirk states that: Glam metal kind of drags rock back to where it’s supposed to be, which is the mental and hormonal concerns of 15-year-olds. He redundantly adds that at its best, Glam metal is profoundly juvenile.
An introduction to a large number of immature musicians is found an Alexis Pedridis’ article in the Guardian about Bound for Hell: On the Sunset Strip (2022), a box set from Numero Group that documents the nascent glam metal scene.
I do not read much fiction, but the latest novel I read (finished yesterday, 2023-05-26) is Stasi Child (2016) written by David Young (1958 – ) who has his crime fiction set in the DDR, in 1974. In a Telegraph newspaper interview 2016-, Young says the inspiration for the book series came after his indie pop band The Candy Twins toured Germany in 2007 and he read Anna Funder’s (1966 – ) non-fiction book Stasiland (2003) between gigs. Some of Stasi Child is set at Prora, a former National Socialist resort, on Rügen, an island in the Baltic Sea. Another major location in the book is Brocken, a 1 143 m high mountain, in Harz National Park, in northern Germany. The mountain is the traditional home of witches.
Today, it is 50 years (1973-05-22) since Ethernet was invented at Xerox PARC (Palo Alto Research Center), in Palo Alto, California. This date specifically references a memo written by Bob Metcalfe (1946 – ). Ether refers to an omnipresent, luminiferous aether, that acts as a passive medium for the propagation of electromagnetic waves. In 1975, Xerox filed a patent application listing Metcalfe, David Boggs (1950 – 2022) , Chuck Thacker (1943 – 2017) and Butler Lampson (1943 – ) as Ethernet inventors.
Metcalfe’s law states that the impact of a telecommunications network is proportional to the square of the number of nodes, initially expressed as compatible communicating devices in, later as connected users of, the system (n2). The law was first proposed in 1983-12, in a 3Com sales presentation, given by Robert Metcalfe. The law was popularized by George Gilder in a 1993-09-13 Forbes article which specifically associated it with Ethernet users.
Some feel that this law overstates the case, in that not all nodes are born equal. Specifically, reference is made to the Dunbar number, originally expressed as a cognitive limit to the number of people with whom one can maintain stable social relationships. Anthropologist Robin Dunbar (1947 – ), who devised the concept, places the limit at about 150, for people. In terms of this weblog post, I have stated that I will know that I am doing something wrong, if the number of readers exceeds 100. It is only intended for family and friends, with whom I wish to maintain stable social relationships. In addition, it allows for, say, fifty people to disown me (or the weblog), for various reasons, real or imagined. In terms of Ethernet nodes, it is easier to reach some in contrast to others. Indeed, most people place considerable effort in evading contact by spammers, and other forms of Internet lowlife.
António Madureira, Frank den Hartog, Harry Bouwman and Nico Baken have, in 2013, empirically validated Metcalfe’s law, specifically looking at how Internet usage patterns changed over time, See: Information Economics and Policy, 25 (4): 246–256.
Ethernet was commercially available, starting in 1980. It was standardized in 1983 as IEEE 802.3. New versions of Ethernet have increased bit rates, the number of nodes connected, and link distances, yet retain considerable backward compatibility. Ethernet has largely replaced competing wired local-area network (LAN) technologies, such as the token-ring and aloha networks.
An Ethernet connection is made using a cable fitted with a male plug connector at both ends. One end of the connector (most often a 8P8C plug) usually attaches to a device (such as a laptop computer) fitted with a 8P8C jack, while the plug, at the other end is attached to the jack of a switch. The term RJ45 connector/ plug/ jack is often used. The original (telephone) RJ45 connector featured a key that disallowed 8P8C connectors. These RJ45 connectors are obsolete, but continue to be referenced in the language. There are variations in the termination of the wiring inside 8P8C connectors, with two distinct flavours, officially known as T568A and T568B. These are defined in ANSI/TIA-568. I have never known anyone who uses anything but B.
Connector installation improves with practice. We use purpose built tools and a tester to ensure that cables function properly.
Propaganda
It can be difficult for people to obtain appropriate information about Ethernet connections, and Internet operations, more generally .
Many people I associate with are surprised that Cliff Cottage, our residence, is wired with CAT 6A Ethernet cable. Gratuitous advice: If it is too difficult to put Ethernet cable inside a wall, fasten it outside, immediately above a baseboard. We have done this in select locations. We have also allowed the cable to be fitted inside door molding.
We use a power-over-Ethernet (PoE) switch with 24 ports, that are fitted to our server rack. This allows us to send data and electrical power in the same cable. Users in our household each have a PoE UniFi Flex Mini switch with five ports, operating at gigabit speed. We also have three UniFi Wi-Fi 6 lite access points at appropriate locations in the house, so that all portable/ hand-held devices can connect to the Internet..
Note: The publication date is also World Goth Day #15. It will not have a weblog post devoted to it this year, but will return to explore Gothic architecture on World Goth Day #16, 2024-05-22. As compensation, a weblog post about Wave Gotik Treffen, a Leipzig music festival, will be published 2023-05-27.
This post is being published on World Bee Day, 2023-05-20, held on the anniversary of the baptism date, and potential birth-date, of Anton Janša (1734-05-20 – 1773-09-13). Later this year, one will be able to commemorate the 250th anniversary of his death, and in eleven years, the 300th anniversary of his birth.
On 2017-12-20, after three years of efforts, the United Nations member states unanimously approved a Slovenian proposal, and proclaimed 05-20 as World Bee Day, starting in 2018. Today is its fifth anniversary.
Carniolan/ Slovenian beekeeper Anton Janša, became the first beekeeping teacher at the Viennese imperial court of Habsburg Empress Maria Theresa (1717 – 1780). He completely revised beekeeping methods based on (scientific) observations, and laid the foundations of modern beekeeping. By introducing Carniolan beekeeping methods, he caused a real beekeeping revolution.