Negative Gearing

I’m Precious Dollar. My role at the Unit One Collective is to discuss world economic issues.

Today, I’d like to report on the work of one of my heros, Yanis Varoufakis, once the Greek finance minister. He has written two influential books – The Global Minotaur and, most recently, And the weak suffer what they must? This week Yanis is in Sydney, Australia, to promote his new book. At a talk at the Sydney Writers’ Festival, he said that Australia could be a new Greece.

Yanis is not just someone who views Australia from afar. He lived and taught economics in Sydney from 1988 to 2000, and is an Australian citizen. There is an election campaign in Australia, and one issue being debated is that of negative gearing – a tax minimization strategy for property investors. Investors are being subsidized by taxpayers to invest in existing housing stocks, to the detriment of productive investments.

Yanis points out two unrecognized economic truths about Australia. There is massive private debt; the social economy is unsustainable. Private debt has created a (property) bubble in which the upper middle class are living an unsustainable, luxurious lifestyle,  despite a national current account deficit.

Companies are shuffling more paper, rather than producing more stuff. Chinese investors are buying more (subsidized) property, but car manufacturing stopped in 2013-4 with a loss of 200 000 jobs. This is a major error.

Yanis contrasts Australia with the United States. While American ideology focuses on a free market, American practice is for the state to invest heavily in whole networks of innovation and production: the military industrial complex, the medical industrial complex, even the prison industrial complex. They create networks of value creation, and actually produce things. In contrast, Australia is divesting itself of production.

Mariana Mazzucato in her 2013 The Entrepreneurial State: debunking public vs. private sector myths debunks the myth that the state is a lumbering, bureaucratic monster inhibiting a dynamic, innovative private sector. In a series of case studies—from IT, biotech, nanotech to today’s emerging green tech—Mazzucato shows that the private sector only invests after an entrepreneurial state has made the high-risk investments. Every technology that makes the iPhone ‘smart’ was government funded: the Internet, GPS, its touch-screen display and even Siri.

Mazzucato argues that the State has not only fixed market failures, but has also actively shaped and created markets. In doing so, it sometimes wins and sometimes fails. The State’s active risk taking role is unacknowledged. The public sector socializes risks, while rewards are privatized.

Yaris notes that capitalism is undermining itself.  Capitalism is failing to produce sufficient good-quality jobs. Millennials are getting heavily indebted to get a good education, and who are expecting to be able to land decent jobs. Simultaneously artificial intelligence is on the cusp of destroying hundreds of millions of good-quality jobs without replacing them.

Karl Marx predicted in the 19th century that the evolution of technology was going to destabilise the capitalism that created it.

Yaris ended his talk in Sydney with some simple questions for Australians: Do you need to have a crisis before you plan for the future? Are you going to move headlong into a crisis simply because you are refusing to plan ways of preventing the bursting of the bubble? Do you want to be forward looking or backward looking as a nation?

A more complete version of Yanis’ talk can be found here: http://www.theguardian.com/world/2016/may/25/yanis-varoufakis-australias-negative-gearing-is-scandalous

Precious

Thank you, Inger Færøl!

Inger gained valuable experience as a kindergarten teacher today. Her charge was 67 years old. In order to create a logo for the Unit One website, he only had to consult Shelagh eight to ten times for advice, in addition to the hour tutorial on using Adobe Illustrator.

This is a larger version of the image. While the house was made locally, the tree and apple barrel was downloaded from a website no longer accessible: http://www.pageresource.com/clipart/nature/trees/cartoon-apple-tree-clipart

Inger also made avatars for each of the members of the Unit One collective.

Billi Sodd

House

Unit One

House

Welcome to the Unit One collective.

We are a vibrant group of women and men, young and old, from a variety of backgrounds. Together we are united in our aspirations to transform the planet. Our goal is a happier, more democratic and more egalitarian world.

Members of the Unit One collective include:

Alexa Qvam is a children’s writer. She is concerned with social responsibility and the impact of technology. Like all Norwegians, Alexa was born with skis on her feet. During the green winter she migrates from cross country skis to roller skis –  effectively reducing the average speed of tourists, motoring along Norway’s narrow roads.

Billi Sodd has been in and out of prison most of his adult life. Billi is a pop artist, imitating the work of Marjorie Strider. His works include Meat Soup, National Costume (female), National Costume (male) and Modesty, a series of eight paintings showing seven generational changes in swim wear. This last work is on permanent display at Vømmel Prison..

Brigand Brewer spends his days working as a museologist and writing about history. His nights are devoted to understanding the mysteries of the Salish Sea, and its peoples. He enjoys sailing, and dreams of circumnavigating Vancouver Island.

Jade Marmot calls himself an auteur, but in reality is just a bad filmmaker. Jade’s first film Garden Party, Part 1 is still being edited, more than a year after it was shot. Jade is married to Daffy (Daffodil). He is inspired by Thierry Guetta (1966 – ).

Qwerty Asdf is a screenwriter. Between scripts he works as a water well driller and a caterer (on weekends).

Minor characters …

Liberty & Modesty Patience explore the world of Virtuous Reality. While Liberty has studied moral philosophy, modesty is a musician bringing philosophy alive.

Precious Dollar brings the world of economics into the collective. Befitting her training as a fresh water (neoliberal) economist, she asks critical questions about capitalism.

Proton Bletchley is an environmentalist, but with a taste for robots and artificial intelligence.

Mini characters …

Friends of Unit One include the photographer Karsk Skjenning, and professional muse Inger Færøl.